Year of Short Stories — Week #52 Retrospective

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

The Final Tally

  • Stories – 7
  • Submissions this year – 35 (5 still out)
  • Acceptances – 1
  • Rejections – 29 (11 higher tier)

Thus ends my Year of Short Stories.

Looking at these numbers, I do wish I had gotten more stories out the door, and I would have loved to get more acceptances. However, I think this is an excellent starting point. If nothing else, I have had a ton of fun writing and submitting stories, and I feel very comfortable with the process now.

The only thing I can do to increase that acceptance count is to write more stories to the best of my ability and continue sending them out.

Refining the Process

Prior to this year, I wrote short stories haphazardly, when an idea struck me and kept my interest. I submitted pieces occasionally, but I never pursued it with any seriousness.

This year, I took it seriously. I polished up a couple of finished stories and wrote several more. I sent stories through Critters critique, while submitting more than 50 of my own critiques of others’ work. I revised those stories far more than anything I have written before.

I know that many authors will grind their teeth while thinking about submitting their work to publishers, but I will argue that this is important practice. Internalizing the standard formatting, writing your own biographical blurb, and learning to write a cover letter—however brief—is valuable. Adjusting all of it to a publisher’s expectations is also important experience.

Today’s technology makes it possible to write alone, revise alone, and publish instantly. I don’t think that’s the way to produce great work, and the long tail of Amazon e-books is evidence of it. The old stereotype of the reclusive author is the exception, not the rule. Creativity is a feedback loop, and that means authors who want to take their craft seriously need to develop professional skills (like selling themselves and their work), and seek honest and tough feedback to actively improve.

Getting a story published by a small website; or a big podcast; or a top-tier, pro-payment magazine tells you something about what you’ve written. “This isn’t quite what we’re looking for” rejections and “send us more of your stuff” rejections are little puzzle pieces that slowly assemble themselves into way markers for future stories.

The indie publishing pundits loves to rag on all the gatekeepers of traditional publishing, and I don’t think anyone should feel beholden to the gatekeepers. But I do think that your writing will become a lot stronger if you push yourself to write stories that can compete with hundreds of other submissions in a slush pile, and catch the eye of jaded, chain-smoking editors who have read more stories in the past year than most of us read in our lifetimes.

That editor doesn’t get to unilaterally decide what’s a good story and what isn’t. But if you can’t find anyone immersed in stories who really likes the thing you’ve written, then it might be time to revise it, or set it aside and write the next thing.

Publishing stories the traditional also way forces you to find your audience. You have to learn what kind of readers and editors like the stuff you’re writing, and that’s incredibly valuable information if you want to get your stories in front of readers who will love them.

The Joy of Short Stories

I love novels, and I’m sure they account for the vast majority of the words I’ve read in my lifetime. Unfortunately, writing a novel is like slaying a giant—it’s not the best thing to try when you’re still learning how to swing a sword.

This past year of experience has confirmed for me that writing short stories is a fantastic way to improve my writing quickly. Writing short stories allows me to jump between genres, to try out new characters and new settings. I can spend a few thousand words with an idea and then let it go. The price of failure is low, and the joy of experimentation is sky-high.

Writing short stories and actively submitting them means I’m exercising all of my authorial muscles. I’m jumping between first drafts, revisions, critiques, and submissions. I’m constantly iterating and incorporating feedback into individual works, but also into my process as a whole.

Rejection and Acceptance

The final takeaway that I have from the past year of writing short stories is more of a Zen attitude toward my own work.

Writing is often incredibly personal. We joke about our stories being like our children. But that kind of protective love makes it harder to improve. It’s hard to take negative feedback on a story if you think of it as your baby. It’s hard to take rejection.

Luckily, the easiest way to overcome those feelings is through brute force. Write lots of stories. Get as much criticism as you can, and then improve them. Send them out, and get rejected, repeatedly. By the time you’ve built up your own little one-person story factory, those pointed critiques start to be fun, because they provide opportunities to make the story better. The rejections roll off your back, and you submit again and move on.

I recently listened to David Sedaris on a podcast, and he said one of the keys to his success was never confusing the writing with the publishing. Ironically, I think the best way to internalize that sentiment is to be repeatedly rejected by publishers.

If you really want to, you can try to follow the market trends. You can improve your odds of publication by submitting to venues that fit your work, and submitting relentlessly. Trying to get paid is hard. Every submission is a job interview with hundreds or thousands of applicants.

And yet, if you already love the writing, getting paid is just a bonus.

Goals for 2025

My Year of Short Stories may be done, but my short story writing will continue. If anything, I’d like to finish more stories this year than I did in 2024. After all, the story factory is built, and I have no shortage of ideas.

Of course, I’d like to get a few more stories published in the upcoming year as well, but I have less control over that. So I’ll just keep submitting.

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Author: Samuel Johnston

Professional software developer, unprofessional writer, and generally interested in almost everything.

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