This is part of my ongoing series where I’m documenting the development of my serial novel, Razor Mountain. Be forewarned, there are spoilers ahead! You can start from the beginning here.
I worked on the chapter 17 and 18 summaries (and also identified some things I may want to go back and improve).
A Little Characterization
I spent a little time this week thinking about Christopher and God-Speaker’s personalities and came away with more ideas about what each of them is interested in.
Christopher loves drawing. Not necessarily what he would consider “real art,” but sketches, doodles, and little things in the margins. As a boy, he loved drawing and programming. When he went to school, he chose a degree in computer science. It was the pragmatic choice — the jobs were plentiful and paid well, as opposed to the challenge of making it as an artist. Yet another example of Christopher avoiding risk and choosing the safe path. As a result, he still has a little nagging regret that he didn’t pursue art beyond a hobby.
Christopher was always fascinated by Leonardo da Vinci’s journals. He got into the habit of similar journaling, mixing sketches and little blurbs of text. He doesn’t journal consistently, and he doesn’t follow any particular format or try to get anything out of them. In fact, he rarely goes back and looks at what he’s written. However, this is an important way that he processes things.
I also decided that Christopher has a habit of talking to himself. This is a bit of an aid for writing a character who spends Act I alone, but it also mirrors God-Speaker and the way he listens to the voices from the artifacts and from the people whose minds and bodies he has usurped over the centuries.
Christopher exhibited this tendency at a young age, but his father worried that it would make him seem strange to others and cause him to be bullied or mocked by other children. Christopher’s father discouraged it, and as a result, Christopher has learned to mostly suppress it around other people. It starts to creep in more as he spends days alone in the wilderness.
Finally, I decided that God-Speaker has a weakness for music. He has avidly followed the development of various instruments and the advancements of music theory over the years. He has a collection of music players (from wax cylinders to records to digital) and a handful of musical instruments in his offices. He also writes music from time to time, but he keeps it secret, never showing it to anybody. He sees himself as a hobbyist, and is afraid that his work is bad, despite centuries of occasional study.
God-Speaker’s Act II
I realized as I came into chapter 19 that the God-Speaker chapters very abruptly change from a sequence where everything is close in time to a series of vignettes with many years in-between. Meanwhile, Christopher’s chapters continue to be close together on the timeline.
I could explicitly break the book into parts. I think that a major delineation like that cues the reader to be on the lookout for bigger changes in structure, like jumps in time. I’m not sure it’s a particularly elegant solution.
Another option is to sprinkle enough context into the first of these vignette chapters to make the time transitions clear. Some ways to do that:
- Make direct mention of years passing in exposition.
- Show that God-Speaker is much older through changed physical attributes
- Highlight changes to Razor Mountain that must have taken years to complete
The first chapter that “jumps” in time will be the most jarring. After that first jump (and definitely after the second), the reader will be primed to look for clues as to how much time has passed in subsequent chapters. For that to work, I still need to provide clues, such as:
- Each chapter after the first, God-Speaker is in a different body that he has taken over
- In each chapter, Razor Mountain and the people around God-Speaker have changed
- In each chapter, God-Speaker is dealing with a completely different set of problems (but following a progression as he consolidates power and hides from the world, all in order to be as safe as possible)
God-Speaker is older now. It’s a cold morning, and his body aches. He greets a fresh group of ice-age migrants to the village at the base of Razor Mountain. He thinks to himself that there are many migrants, and there will soon be too many people in the village. He will have to be more selective about who he allows in. These newcomers are somewhat in awe, except for one young man who is determined to be unimpressed.
God-Speaker brings them to a large hall in the middle of the wooden buildings, where they eat a large meal, to impress upon the newcomers how good life is here. He answers some questions and deflects others. He asks them about their skills. The irritable young man claims to be a great hunter.
After they’re done, he leads them around the village, showing them where livestock, proto-grains, vegetables, berries and mushrooms are all being cultivated. He shows them stores of preserved food. He shows them a mine and a simple forge where they’re developing smelting and metalworking.
Finally, he explains that this “great tribe” is superior to small tribes. He tells them that he was called here by the gods of the mountain. He listens to them, and learns all the wisdom that allows the village to thrive. The newcomers are eager to join, and God-Speaker convinces the young man by flattering him and explaining that his skill in hunting will be vital to teach others.
God-Speaker passes them off to someone else to get situated. He follows a path up to a cave entrance, and heads into the mountain. Again he feels his body wearing out and knows that death is stalking him. He hears the whispering voices, and they grow louder deeper into the cave. Soon, if he can learn the secrets of the voices, he thinks he will show them something truly amazing: his own rebirth into immortality. He just has to do it before his body gives out.
- Will he die, or be reborn?
- 19.1 – Can the artifacts actually make him immortal?
- 19.2 – Are the voices actually gods?
- God-Speaker works to convince the group of newcomers to join the village, especially one skeptic who comes around by the end. He is building and carefully controlling a community, and developing power through the artifacts.
- Need to research what naturally occurring plants, animals and mushrooms would be available in this time period and location.
- Need to research primitive metalworking.
Christopher wakes in the night as he’s being roughly bound and gagged. He has a bag put over his head. He tries to scream, but can’t make much noise, and receives a blow to the head. Woozy, he is unsure if this is something orchestrated by the people he just met or someone else.
He is dragged and shoved and stumbles for a few minutes. He hears two voices speaking quietly, and thinks he recognizes one of them: the man who was guarding his room.
After some time, he feels cold air and hears that they’re moving through an echoey space, perhaps a cave, and then into snow outside. He becomes more and more sure that his captors are Garrett and Harold. They argue whether they are making a good choice, and whether they’ll be allowed back into the mountain. They discuss some of the contents of Christopher’s pack, which they apparently brought with them.
Finally, they stop to rest and remove Christopher’s head-bag and gag (warning him that he’ll get another knock on the head if he’s loud). Christopher begins to understand that they’re betraying the others and they may be afraid of Amaranth catching up. Garrett tells Christopher that if he has any useful information, he should talk now, because the professional interrogators up at the mountain will be far less pleasant. He tries to sound threatening, but Christopher thinks he’s actually nervous. Harold doesn’t like the plan at all, but does what Garrett says anyway.
They continue walking the rough, heavily-wooded slopes toward Razor Mountain in the faint moonlight. Christopher decides there isn’t much he can do but go along with them. He decides to wait and see if any opportunities for escape present themselves. Harold expresses the opinion that he thinks the 550th might just shoot them all on sight. Garrett doesn’t respond.
- Will they be shot on sight?
- 20.1 – Who is up on the mountain? What is the 550th?
- 20.2 – What is the situation between the Razor Mountain people and Garrett and Harold’s people?
- Christopher is kidnapped. He’s confused, fearful, and a bit beat-up. He decides he is going to have to do something if he wants to get out of this situation, but isn’t sure what. He pacifies himself thinking that he’ll wait for a better opportunity
I got through two more chapter summaries, fleshed out Christopher and God-Speaker’s interests, and identified some challenges presenting God-Speaker’s Act II chapters clearly to the reader.