Week 38 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

This is the week of Sept 20 – Sept 28.

Stats

  • Stories Finished: 3
  • Submissions Currently Out: 8
  • Submissions Total: 35
  • Rejections: 29
  • Acceptances: 0

Submissions and Responses

After a flurry the past couple weeks, no new submissions or responses this week.

Goals

Last week’s goals:

  1. Start Magpie revisions
  2. Continue idea writing

The Critters critiques are in for The Magpie. I received 17 in total, and I’ve compiled these into a big document. I’ll proceed to whittle them down until I have a list of revision bullet points, and then I’ll pop open the gearbox and start banging on things.

I continue to hit my word count quotas by writing snippets of stories from my brainstorms list. This has resulted in a few fragments, but I think I may have found one that will end up as a full story.

Next Week

Writing is going smoothly lately, and I’m still working on getting caught up to my quotas, so I’m not changing anything. Steady as she goes.

Goals:

  1. Continue Magpie revisions
  2. Continue idea writing

Weeks 36 & 37 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

These are the weeks of Sept 7 – Sept 20.

Stats

  • Stories Finished: 3
  • Submissions Currently Out: 8
  • Submissions Total: 35
  • Rejections: 29
  • Acceptances: 0

Submissions and Responses

I had three form rejections and no new submissions over the past two weeks.

Goals

My goals from last time:

  1. Keep up with critiques
  2. Think about process

My horror story, The Magpie, is currently out, and the critiques are trickling in. I’ve glanced at a few, but I’ll wait for Wednesday (the end of the Critters week) to start compiling all of it together for the next round of revisions.

After numerous false starts, I’ve been writing fairly consistently over the past week. After being behind on my self-imposed quotas for a couple months, I’m now clawing my way back. Last time, I said I was thinking about my process, and that’s beginning to bear fruit.

Idea Work

In an effort to get more stories ready to send out, I have spent roughly half the year focused on revising completed or nearly complete drafts. This is logical if you’re working in the story factory and want to increase output—finish the things that are closest to being done. Unfortunately, “closest to being done” isn’t always easy to assess.

Some stories refuse to be completed in an orderly manner. T.I.M. is a story that I’ve now finished, torn apart, finished again, and decided I still wasn’t happy enough to move forward with. Other stories seem to come together relatively painlessly. Beneath the House in Caen was a concept that I wrote in a single sitting, the same day I thought of the core concept, and the overall structure didn’t really change through revision.

Trying to force those difficult stories through to completion hasn’t proven effective. I have been logical, but I’ve been ignoring the emotional aspect of storytelling for too long. I need a certain level of excitement about a story to get through it, and that can’t be forced. I also need to refill my reserves of creativity periodically.

My writing time has taken two forms over the past two weeks. The first project I worked on was more brainstorming around Solarpunk. This is a genre that I’ve been interested in for a while (see Solarpunk 101 and Solarpunk Syllabus) but I haven’t been able to find my way into yet. This is pure idea work—writing down ideas and snippets, thinking about technology, coming up with potential characters and conflicts. No story has come out of this yet. It’s the compost heap, and I’ll keep throwing stuff onto it until I get enough rich black dirt that something sprouts.

My other tactic is a different kind of idea work—looking through the many documents where I keep story snippets and ideas, picking a fun-looking one, and trying to write it. I don’t worry about a complete outline. This is a rougher version of what I do for some of my Story Idea Vault posts. I start wherever I think to start and see where it carries me. If it runs out of steam, I pick a new one. This is where my improving daily word count has come from.

In both cases, I find this work refreshing. Coming up with ideas has always felt like the most raw fun in writing for me. Putting all those disparate bits together into a coherent story is satisfying, but it’s hard, too. This is writing without consequence, throwing the spaghetti at the wall to see what sticks. And if nothing sticks, I make more spaghetti.

It’s not efficient from the purely logical perspective, but the pure logic wasn’t working for me. This is what I need right now. And if I can hold on to that energy and fun, I have confidence that it will ultimately lead to more stories.

Next Week

Goals:

  1. Start Magpie revisions
  2. Continue idea writing

Week 35 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

This is the week of Aug 31 – Sept 6.

Stats

  • Stories Finished: 3
  • Submissions Currently Out: 11
  • Submissions Total: 35
  • Rejections: 26
  • Acceptances: 0

Submissions and Responses

I received two form rejections this week, for Red Eye and Taco Cat. One of these was from Clarkesworld, which I submitted to because I knew I could be confident that I’d get a response within a week and be able to send to another publication with a relatively near-term deadline. I honestly don’t understand how Clarkesworld can pay pro rates and still respond to the onslaught of submissions so quickly, but I do appreciate it.

I ended up sending two new submissions for Red Eye and another for Taco Cat. If nothing else, I am keeping my stories circulating.

Goals

My goals from last week:

  1. Keep up with critiques
  2. Hit writing/editing quotas every day.

Critiques have been going well. My horror story, The Magpie, is set to go out to the Critters in two weeks, and I hope to have it ready for submission in early October.

Writing quotas have not been going particularly well. I mentioned that I would be working on editing T.I.M. and writing Arbor Grove. What I really ended up doing was stepping back and thinking about process.

Considering a Writing Reset

Life is busy, and I struggle to write during the week. Even when I have time, I rarely have the energy. Part of this is my own fault. Like many people in the modern world, I have terrible sleep habits. I’m usually progressively more sleep deprived as the week goes on. That leaves me in a half-zombie state where I don’t feel up to creative work like writing, so I end up doomscrolling or watching garbage on streaming services. That leads to staying up too late again…and so on. A vicious cycle. That’s certainly something I need to address for my quality of life.

I’ve also been facing some roadblocks with my current batch of stories. T.I.M. is a story that has been through an unusual amount of revision for me, and has a completed draft. Unfortunately, I decided this week that it needs to go back into the trunk for now. There is some spark missing from it, and I think that doing justice to the main character will require some research to really get into the POV. I plan to do that, but it means the story won’t be ready anytime soon. The other story I’ve been working on, Arbor Grove, is a loose collection of ideas and scenes that I haven’t quite found my way into yet.

The whole Year of Short Stories thing has been great for my submission rate and overall productivity, but it has also made me more myopic. I’ve been focusing on getting the current  work done and out the door, and probably not thinking as much as I should about what the current work should be, or how I should be doing it.

So, I’m going to take this next week to think about process. How can I get more writing done with less stress, and what should I be working on as we enter the final third of the year?

Next Week

Goals:

  • Keep up with critiques
  • Think about process

Week 33 & 34 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

These are the weeks of Aug 16 – Aug 30.

Stats

  • Stories Finished: 3
  • Submissions Currently Out: 10
  • Submissions Total: 32
  • Rejections: 24
  • Acceptances: 0

Submissions and Responses

Two stories came back this week with form rejections: Dr. Clipboard and Red Eye. The Red Eye response was a whopping 180 days, but this is just the price you pay when submitting a story over 6000 words.

With Dr. Clipboard free of its “no simultaneous submissions” shackles, I submitted it to two less monogamous publications. Red Eye is not so lucky; most publications that take longer stories (and actually pay) like to be exclusive.

Goals

My goals from last week:

  1. Keep up with critiques
  2. Hit writing/editing quotas every day.

This was a change of pace from more specific “get X done” goals that I’ve been doing, to pure numbers. Ironically, I didn’t quite keep up with my quotas, but I did get the draft of Estate Sale edited to my satisfaction, and submitted to the Critters critique queue. I also gave it a new name: The Magpie. I’m still not sure this is the final title, but it’s the working one for now.

Next Week

I’m going to keep the same goals for next week, but my intent is to work on cleaning up T.I.M. for critique and write some new words on Arbor Grove.

Week 32 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

This is the week of Aug 10 – Aug 16.

Stats

  • Stories Finished: 3
  • Submissions Currently Out: 9
  • Submissions Total: 29
  • Rejections: 22
  • Acceptances: 0

Submissions and Responses

One form rejection this week, for Taco Cat. I still have one other submission out for this story, but I may look for more places to send it.

Goals

My goals from last week:

  1. Keep up with critiques
  2. Finish Estate Sale revisions and submit for critique

I am back in the swing of doing a critique per week, so that’s an easy box to check.

I worked on Estate Sale, but it’s still not ready yet. I’m thinking about better titles, with Magpie being the current frontrunner. Ideally, I’d prefer something with a little more malice for a horror story.

Learn, Learn Again

I often find that many of my difficulties in life are self-inflicted. Few things are more irritating than thinking I’ve learned a lesson, only to realize some time later that I failed to internalize it and slid back into old behaviors.

I started this year with daily quotas for words written and revision per day, and my intent was to try to actually hit those numbers each day instead of cramming all of my writing time into the weekends. The quotas are small: 100 words and ten minutes, so they’re not hard to meet and it’s possible to catch up from missed days.

Now it’s August, and I find that I’ve slipped into old habits. I only write on the weekends, I have been revising with little new work, and my word count is weeks behind. I instinctively reach for the usual excuses: end of summer busyness and the imminent return of school, work, and my indie game project. Plus, it’s so hard to come home from work, cook dinner, do chores, and then find energy for writing, right? Never mind the folks in significantly harder circumstances who somehow find the time to bang out fine literature.

So, with that ritual self-flagellation out of the way, I’m going to try to relearn my lesson this week, and meet my quotas every day.

The Times, They Are A-Changin’

I’ll also mention that I think it’s a very interesting time to be a writer, and I mean that both literally and as the faux Chinese curse.

I’ve been reading quite a bit lately about the direct and indirect effects of AI on writing and publishing. Fiction, like everything involving written words, is in the midst of major disruptions, and these come on the heels of the e-book and self-publishing revolutions that have already caused major upheavals and consolidation of power in the industry. There are  more ways to publish work than there ever have been, though it’s still not easy (and maybe getting harder) to be paid to do so.

Scandals around allegedly AI-written books are making it into the general news cycle, but I suspect short fiction is feeling the impact far more, if only because of sheer accessibility of submissions and comparatively lower effort. I’ll have a post or two on these topics in the near future.

Next Week

Goals:

  1. Keep up with critiques
  2. Hit writing/editing quotas every day.

Week 31 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

This is the week of Aug 2 – Aug 9.

Stats

  • Stories Finished: 3
  • Submissions Currently Out: 10
  • Submissions Total: 29
  • Rejections: 21
  • Acceptances: 0

Submissions and Responses

No new submissions or responses this week.

Goals

My goals from last week:

  1. Keep up with critiques
  2. Revise Estate Sale
  3. If time and energy allow – review T.I.M.

After last week’s reset, I’ve been blasting through critiques to get ahead of the game. Now I just need a story to put in the queue.

On that front, I worked on revisions for both T.I.M. and Estate Sale. This was the first time I’ve read through T.I.M. since the major rewrite, and since it has been a few weeks, I felt like I could give it an honest look. It was better than I thought it might be. The main problem is that it’s now 6000 words, and I’d like to really trim that down. It also has a weak ending that will need to be improved.

Estate Sale feels closer to done, but I’m going to try a new revision technique with it.

Externalizing The Inner Critic

The idea I’m going to try is pretty simple. Now that I have the story in a pretty good place, I’m looking at it, pretending I’m a critiquer, and trying to anticipate where the critiques might complain about the story.

The reason I’m doing this is because I have had a couple cases recently where I managed to convince myself that a niggling problem with a story is not a big deal, only to have critiques come back and call out exactly that problem.

Now, sometimes fellow writers will critique a story, and it’s clear that they want to make it the kind of story they like, rather than the best version of the story you want to tell. I try to avoid this when I’m critiquing. So it’s still important to not water down the story in hopes of making it “something lots of readers will like.”

I suppose I’m just trying a new tactic to try to separate my critical brain from my writing brain for editing.

Next Week

Goals:

  1. Keep up with critiques
  2. Finish Estate Sale revisions and submit for critique

Week 30 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

This is the week of Jul 27 – Aug 2.

Stats

  • Stories Finished: 3
  • Submissions Currently Out: 10
  • Submissions Total: 29
  • Rejections: 21
  • Acceptances: 0

Submissions and Responses

The only response I received this week was a single form rejection—the very first for my new story, Beneath the House at Caen. I’m never looking for a rejection, but I do appreciate a publication with a quick turnaround on submissions. Now Caen feels “broken-in.”

I scoured the listings and sent out three more submissions this week, bringing my total in flight up to a healthy ten. Trying to find publications for Red Eye and Taco Cat once again drove home the challenge of selling a 6700-word story vs. selling a 1000-word story. Even though 1000 words is too short for a few publications, there are still far more listings than for the long story. Not only that, but the places that do take longer stories trend toward the bigger, older publications, and they often reply very slowly and don’t like simultaneous submissions, making the process even more arduous.

Remember kids, you have to write what feels right to you, but size does matter when it comes time to actually sell that story.

Goals

My goals carried over from the previous week:

  1. Submit stories
  2. Catch up on critiques
  3. Clean up and trim T.I.M.
  4. Other revisions: Estate Sale?

With the additional story submission this week, I’m in pretty good shape. Now I’m just keeping my eyes open for opportunities to submit Red Eye and waiting for responses.

I also reviewed my Critters admin panel and found that I was far enough behind to warrant a ratio reset. I’ll be working on a couple critiques this week to get myself back in the critique gods’ good graces.

I’m still not quite ready to come back to T.I.M., so I worked on revising Estate Sale this week. Having let it sit for a while and come back, I found it fairly readable. I don’t think this one will need too much more work, at least until I get some reader feedback.

Next week, the goals get a little shuffle.

Next Week

Goals:

  1. Keep up with critiques
  2. Revise Estate Sale
  3. If time and energy allow – review T.I.M.

Week 29 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

This is the week of Jul 20 – 26.

Stats

  • Stories Finished: 3
  • Submissions Currently Out: 8
  • Submissions Total: 26
  • Rejections: 22
  • Acceptances: 0

Submissions and Responses

I was fighting a cold this week, so I wasn’t able to log much writing time. However, it did turn out to be a fairly productive week for submissions.

I received one form rejection for The Incident at Pleasant Hills. Since my active submissions list has been dwindling, I sent out six new submissions, including three for my freshly completed horror story, Beneath the House at Caen. That bumps my submissions number back up to roughly where it should be for my goal of 50 submissions by the end of the year.

Most of these were to publications that accept simultaneous submissions, so I will likely spend more time combing through Duotrope to send out more in the upcoming week.

Next Week

I’ll just reiterate my goals from last week:

  1. Submit stories
  2. Catch up on critiques
  3. Clean up and trim T.I.M.
  4. Other revisions: Estate Sale?

Weeks 27 and 28 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

This is the weeks of Jul 6 – Jul 19.

Stats

  • Stories Finished: 3
  • Submissions Currently Out: 3
  • Submissions Total: 20
  • Rejections: 19
  • Acceptances: 0

Submissions and Responses

I had two form rejections come back this week: a magazine submission for Dr. Clipboard’s Miracle Wonder Drug, and an anthology submission for Taco Cat.

Not much to say for these. The anthology was a rather specific theme that fit the story, which is a theoretical leg up, but by no means a guarantee that it’ll be read in a positive light.

My open submissions list in Duotrope is getting thin, so I will be scouring the listings and sending out stories again this week.

Goals and Results

Last time, my goals were:

  1. Revise Beneath the House in Caen to completion, or close to it.
  2. Clean up and trim T.I.M., consider whether it needs another round of Critters.

Happily, I have now worked through all the critique revisions on Caen, so that will be included in my next round of submissions. It’s a horror/dark fantasy story, which will be a nice addition to my stable, since there are a decent number of markets for horror that I wasn’t able to submit to before.

Now I ought to get back to T.I.M., but I’m still feeling burned out on that story, so I may work on one of my other drafts. Estate Sale another horror story, so I may work on that as long as I am in a horror headspace.

I also have some critiques to catch up on, so I’ll be ready when it’s time to send those out for feedback.

Next Week

Goals:

  1. Submit stories
  2. Catch up on critiques
  3. Clean up and trim T.I.M.
  4. Other revisions: Estate Sale?

Week 26 — Year of Short Stories 2026

2026 is another year of short stories. In this weekly series, I track my short story writing, from idea and draft to submission.

This is the weeks of Jun 29 – Jul 5.

Stats

  • Stories Finished: 2
  • Submissions Currently Out: 5
  • Submissions Total: 20
  • Rejections: 17
  • Acceptances: 0

Submissions and Responses

All quiet this week. No new submissions or responses.

Goals and Results


Last time, my goals were:

  1. Revise Beneath the House in Caen to completion, or close to it.
  2. Clean up and trim T.I.M., consider whether it needs another round of Critters.

As usual, this was optimistic, but I did want to leave the week open to work on either of these stories, depending on what I felt like doing. In the end, it was Beneath the House at Caen that I ended up working on. This was productive revision, trimming about 200 words and cleaning up quite a few small things.

My process for dealing with workshop feedback has evolved into roughly three steps. First, I do the initial read-through of all of it, and copy it over into a single unwieldy OneNote document. Then I take a second pass through all of it, decide what I’m going to discount or ignore, and begin taking bullet-point notes. The result is a stack of bullet points and a few pages of little feedback snippets at the top of the doc, and everything else relegated to the wasteland at the bottom of the doc. The final refinement is to go through the snippets and either immediately change something in the story to address them, or convert them into a bullet point.

Similar feedback gets combined. If I’m clever, I come up with a fix that addresses several things at once. Eventually, what I’m left with is a long list of bullet points (about 50 in the case of Caen). Some are still easy fixes, some require more thought. Then I work through them.

The Halfway Mark

Week 26 means we are halfway through the year. I figured this would be a good time to review my goals and see where I stand.

  • Finish and submit twelve short stories — Current: 2 / Goal: 6
  • Send 50 submissions — Current: 20 / Goal: 25
  • Post 100 times on Words Deferred — Current: 43 / Goal: 50

I’m a little behind on all of these metrics. The biggest issue is actually getting those stories across the finish line so they can be sent out. However, even if I get the two in progress finished soon, I’ll still be behind there. I always knew that a story per month was going to be difficult for me, but I’d still like to get this number higher.

My submission count, on the other hand, is solid. I’ve been doing more simultaneous submissions this year, which helps a lot. If I can get a few more stories in rotation, that will make this goal easy to hit.

The state of the third goal can be clearly seen on my WordPress stats. All I have to do to meet that goal is two posts per week, and one of them is this weekly update. I absolutely hit that standard the first three months of the year, but I trailed off in the second quarter. Part of that comes down to finding something interesting to talk about. I have no interest in writing something that bores me and you. If I had to pick one goal to not achieve, it would be this one. After all, it’s the “Year of Short Stories,” not the “Year of Blogging.” That was somewhere around 2006.

Next Week

I’m a broken record:

  1. Revise Beneath the House in Caen to completion, or close to it.
  2. Clean up and trim T.I.M., consider whether it needs another round of Critters.