Tag: year of short stories

State of the Blog — November 2025

My “State of the Blog” posts are something I’ve been doing since the start of Words Deferred. Back when I was posting more frequently, I’d write these every six months. In 2024, I decided to switch to a yearly cadence—and now I dropped the ball and I’m two months late.

Previous Posts

Metrics

  • Years Blogging: 5
  • Total Posts: ~550
  • WordPress Subscribers: 159
  • Monthly Views: 760 (avg. over last 3 months)

Noteworthy numbers in the past year include the all-time view count hitting 20,000, and highest daily views hitting 213.

The 2024 Slump

Words Deferred has never been “big,” but the stats showed steady growth from 2020-2023. During that first couple years I posted quite a lot, aided by projects like Razor Mountain and journaling through NaNoWriMo, where my fiction writing time and blogging were tightly intertwined. I was also trying a lot of different ideas, still figuring out what exactly I wanted this website to be.

In 2024, I embarked on my Year of Short Stories, where I focused on writing, editing, and submitting short stories. That was a great experience, radically increasing my comfort level with all aspects of writing and submitting work, and I also got some of my work published, which is nice.

That project set me up for one weekly post documenting my progress and submissions. My other posts were less frequent, and ultimately the blog was quieter than previous years. The Year of Short Stories was a project that took most of my writing time and energy, and since I was planning to submit the stories I was writing, I couldn’t use those as content. I also suspect that my weekly updates were less likely to draw in readers from week to week in the same way that something like Razor Mountain’s ongoing story might.

Whatever factors contributed, 2024 was the first year since the start of the blog where I saw the metrics go down—a roughly 30% drop from 2023. I generally try not to pay too much attention to the numbers (outside of these retrospective posts), but I’ll admit that a drop like that is a little disheartening. It begs the question, “have I already peaked?” It’s a lot easier to ignore the relatively low view counts when they’re at least going up every year.

2025: The Year of…Nothing in Particular?

As 2025 rolled around, I found myself once again at the crossroads where I’d finished another writing/blogging project, and I wasn’t sure what I wanted to do next. Over the years, I’ve learned that I work most effectively when I have some big project like this to focus on. I think it also makes for good bloggery when there’s a big project to talk about week after week. Documenting those writing projects helps me get through them, and hopefully provides something interesting to post. When I don’t have a long-term focus, I tend to flail around and procrastinate.

Going into this year, I was burned out on short stories. For lack of a better idea, I decided to try tackling a different project each month. What were those projects going to be? I didn’t really know.

For January, I picked an easy one: write a page per day. No problem. I’ve probably done ten NaNoWriMos, at least half of them successful, and this was a much easier version of that. I finished first drafts of two short stories, and even wrote some goofy fan-fiction for a game I was playing at the time, something I’ve never done before.

Then February hit, and I stalled out hard. I had several completed drafts sitting around, and I’d been struggling to find the motivation to revise them. I figured that would be a good goal, but I never really picked out a particular metric to hold myself to.

Then I was sick for a few days. The kids were sick for a few days. School activities started and I ended up being a mentor/coach. We had some family medical issues. Before I knew it, my plans were long-abandoned. I ended up having more than one month in 2025 where I didn’t post anything, and I wasn’t writing much outside the blog either.

It’s never been hard for me to find reasons not to write—hence the name of the site—but the first half of 2025 was chock full of them. Without a big, clear, overarching project to keep me going, I dropped off the map for a while.

Second Wind

Looking back, I didn’t really get my feet under me, writing-wise, until summer. The kids finished school for the year, activities were over, and the medical issues were mostly resolved.

I spiffed up the blog layout ever so slightly, added Recommendations and Support Me pages, and took stock of my recurring post formats. Now that I’m into year five of Words Deferred, I’ve found a few formats that I enjoy writing and can keep coming back to:

The articles I most enjoy writing are still those that dig into the art and craft of writing, from brainstorming to revision to publishing trends. And while I enjoy having a big project to work on throughout the year, I found that I can lean on these recurring series to have something interesting to write about at least once a week, and keep my pen to the paper.

Oddly enough, my number of posts published in 2025 will probably work out similarly to 2024, maybe even a little less, thanks to how little I was writing through June. However, my views have been rising steadily ever since then, and I’m already getting way more eyeballs than 2024. Will I hit beat the 2023 peak? I don’t think so, but it’s looking more possible.

SEO for Dummies

Are there some sort of lessons to be learned about search engines and keywords and maximizing internet points in all this? Probably. The only reason I noticed my views were going up again was because WordPress sent me a little notice to say “Hey, we were surprised to see some people are reading what you wrote.” So I looked at the “Insights” tab on my dashboard, and that only confused me more.

The only app I automatically share posts on is Bluesky. In previous years, I used to share on TwiXter, back before the bots and assholes took over and they shut down the socialist blog-posting APIs in favor of their glorious, free-market, All-American blue checkmarks. So of course it makes sense that WordPress tells me I got about 6,000 shares each on Facebook, X, Reddit and Tumblr, where I never post anything.

I don’t know how this is possible. If you’re sharing my posts on Facebook and Tumblr, please reach out and clear this up for me.

And what exactly is a “share?” Clearly not the same as a “view.” Maybe a “glance?” But then, when people read my articles through the email subscription, that doesn’t count as a view either. Google also sends me monthly search statistics that appear to wildly overestimate just how much traffic they’re sending my way. They use the even more vague term “impressions.” I can only assume an “impression” according to Google means that my website was on page 10 of the search results when someone skimmed the AI overview.

I checked the WP and Google search insights. I seem to be coming up in roughly the same searches as I have been for years. I found out that I’m cited in the Wikipedia article for “Mystery Box.” That’s kind of fun, and apparently counted for 3 whole clicks. Who is clicking that? ChatGPT helpfully sent seven people my way. Why? Maybe they asked it why people hate LOST so much.

In conclusion, the internet is a unfathomable beast. It giveth and it taketh away. None can know its true heart, and those who claim to do so are false prophets.

What’s Next?

I’m itching for another big project. But when I say “big,” that might just mean The Year of Even More Short Stories. Whatever it is, it’ll be intermingled with the usual things, the Read Reports and Story Idea Vaults and random game and TTRPG musings, and maybe even another poem.

Let’s all just try to make it to the end of the year, and then we’ll see where 2026 takes us.

New Year’s Writing Resolutions

The champagne popped, the ball dropped, and New Year’s is behind us. Now that we’re firmly in the frigid grip of a new January, it’s time for some updates.

I normally don’t go in for New Year’s resolutions, but with my year of short stories now complete, it feels like a good time to reevaluate my writing, the blog, and my goals.

New Monthly Goals

With my serial novel Razor Mountain, I spent two years focused on a single project and eventually ended up burned out. My 2024 year of short stories allowed me to pursue a looser goal where I could work on a variety of different short stories.

In 2025, I’d like to work on something I’ve long struggled with: output. Between my day job and my family, I’m a fairly busy person. I’m also a natural procrastinator, and I know that I often need deadlines (even if they’re artificial ones) to get things done. Previous years’ projects have helped me focus and finish things, but I’m always dogged by the desire to get more done.

My initial idea for 2025 was a simple daily word count, fairly low so I could get used to it. At the beginning of January I decided I would write about a page per day—250 words. My January has already been a little crazy, and I’ve only written on about 50% of the days so far, but I have managed to “catch up” the days I missed, and I’ve stuck to my overall page-per-day requirement. I expect to have at least two short story drafts finished by the end of the month, which is very good for me.

However, I’m already seeing a problem with this word count quota. It’s getting me to write those first drafts, but I’m going to be kicking the can on revisions. I already had Red Eyes revisions carried over from last year, and now I’ll have at least two other drafts that need to be critiqued and polished.

So, instead of carrying my page-per-day goal through the whole year, I’ll only commit to it in January. When February rolls around, I’ll pick a new daily goal, like fifteen minutes of revisions per day. This flexibility will hopefully keep me productive, while allowing me to adjust my goals throughout the year.

The Return of Razor Mountain

That flexibility also gives me the opportunity to do something I’ve been thinking about for a while. I “finished” Razor Mountain in the sense that it’s a complete story, but it could be better. I’ve had some time away from it, and I’m excited to bring it back in 2025. I haven’t decided how much time I’ll spend, but I do plan to start working on revisions again.

The whole point of Razor Mountain was to document the process of writing a novel, so I will also  continue that tradition by posting all the details of my process, my struggles, and my successes.

More Short Stories

I really enjoyed writing and submitting short stories in 2024, so I plan to dedicate a large amount of my time this year to writing even more of them. I think writing short stories has helped me improve my writing significantly. I love being able to get feedback on something small and self-contained, and I’ve learned almost as much from critiquing other people’s stories.

More Bloggy Stuff?

I don’t yet know how much of my short story work will show up on the blog. I know I’m having a good time, but I suspect my weekly recaps aren’t the most riveting content. In 2025, I’ll probably be more judicious and only post about short stories when I have some bigger topic to talk about.

I will continue some of my long-running series like monthly Read Reports and the Story Idea Vault. I have a backlog of narrative video games to play for my “Games for People Who Prefer to Read” series. I might even perform some necromancy and revive a few of my older posts with new commentary and expanded ideas.

I do sometimes miss the days of years past when I would consistently post here 2-3 times per week. I’d love to say that I’ll be more active like that again, but I think I’d be lying. I just don’t have the bandwidth to do that while pursuing my other writing projects. Still, I love the blog, and I greatly appreciate the folks who continue to stop by. I still expect to post at least once per week.

What About You?

I’m curious if you have any New Year’s writing resolutions. What’s working, what’s not, and what do you plan to change? Let me know in the comments.

Year of Short Stories — Week #52 Retrospective

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

The Final Tally

  • Stories – 7
  • Submissions this year – 35 (5 still out)
  • Acceptances – 1
  • Rejections – 29 (11 higher tier)

Thus ends my Year of Short Stories.

Looking at these numbers, I do wish I had gotten more stories out the door, and I would have loved to get more acceptances. However, I think this is an excellent starting point. If nothing else, I have had a ton of fun writing and submitting stories, and I feel very comfortable with the process now.

The only thing I can do to increase that acceptance count is to write more stories to the best of my ability and continue sending them out.

Refining the Process

Prior to this year, I wrote short stories haphazardly, when an idea struck me and kept my interest. I submitted pieces occasionally, but I never pursued it with any seriousness.

This year, I took it seriously. I polished up a couple of finished stories and wrote several more. I sent stories through Critters critique, while submitting more than 50 of my own critiques of others’ work. I revised those stories far more than anything I have written before.

I know that many authors will grind their teeth while thinking about submitting their work to publishers, but I will argue that this is important practice. Internalizing the standard formatting, writing your own biographical blurb, and learning to write a cover letter—however brief—is valuable. Adjusting all of it to a publisher’s expectations is also important experience.

Today’s technology makes it possible to write alone, revise alone, and publish instantly. I don’t think that’s the way to produce great work, and the long tail of Amazon e-books is evidence of it. The old stereotype of the reclusive author is the exception, not the rule. Creativity is a feedback loop, and that means authors who want to take their craft seriously need to develop professional skills (like selling themselves and their work), and seek honest and tough feedback to actively improve.

Getting a story published by a small website; or a big podcast; or a top-tier, pro-payment magazine tells you something about what you’ve written. “This isn’t quite what we’re looking for” rejections and “send us more of your stuff” rejections are little puzzle pieces that slowly assemble themselves into way markers for future stories.

The indie publishing pundits loves to rag on all the gatekeepers of traditional publishing, and I don’t think anyone should feel beholden to the gatekeepers. But I do think that your writing will become a lot stronger if you push yourself to write stories that can compete with hundreds of other submissions in a slush pile, and catch the eye of jaded, chain-smoking editors who have read more stories in the past year than most of us read in our lifetimes.

That editor doesn’t get to unilaterally decide what’s a good story and what isn’t. But if you can’t find anyone immersed in stories who really likes the thing you’ve written, then it might be time to revise it, or set it aside and write the next thing.

Publishing stories the traditional also way forces you to find your audience. You have to learn what kind of readers and editors like the stuff you’re writing, and that’s incredibly valuable information if you want to get your stories in front of readers who will love them.

The Joy of Short Stories

I love novels, and I’m sure they account for the vast majority of the words I’ve read in my lifetime. Unfortunately, writing a novel is like slaying a giant—it’s not the best thing to try when you’re still learning how to swing a sword.

This past year of experience has confirmed for me that writing short stories is a fantastic way to improve my writing quickly. Writing short stories allows me to jump between genres, to try out new characters and new settings. I can spend a few thousand words with an idea and then let it go. The price of failure is low, and the joy of experimentation is sky-high.

Writing short stories and actively submitting them means I’m exercising all of my authorial muscles. I’m jumping between first drafts, revisions, critiques, and submissions. I’m constantly iterating and incorporating feedback into individual works, but also into my process as a whole.

Rejection and Acceptance

The final takeaway that I have from the past year of writing short stories is more of a Zen attitude toward my own work.

Writing is often incredibly personal. We joke about our stories being like our children. But that kind of protective love makes it harder to improve. It’s hard to take negative feedback on a story if you think of it as your baby. It’s hard to take rejection.

Luckily, the easiest way to overcome those feelings is through brute force. Write lots of stories. Get as much criticism as you can, and then improve them. Send them out, and get rejected, repeatedly. By the time you’ve built up your own little one-person story factory, those pointed critiques start to be fun, because they provide opportunities to make the story better. The rejections roll off your back, and you submit again and move on.

I recently listened to David Sedaris on a podcast, and he said one of the keys to his success was never confusing the writing with the publishing. Ironically, I think the best way to internalize that sentiment is to be repeatedly rejected by publishers.

If you really want to, you can try to follow the market trends. You can improve your odds of publication by submitting to venues that fit your work, and submitting relentlessly. Trying to get paid is hard. Every submission is a job interview with hundreds or thousands of applicants.

And yet, if you already love the writing, getting paid is just a bonus.

Goals for 2025

My Year of Short Stories may be done, but my short story writing will continue. If anything, I’d like to finish more stories this year than I did in 2024. After all, the story factory is built, and I have no shortage of ideas.

Of course, I’d like to get a few more stories published in the upcoming year as well, but I have less control over that. So I’ll just keep submitting.

Year of Short Stories — Weeks #50 and #51

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 2
  • Submissions This Week – 2
  • Submissions Currently Out – 5
  • Acceptances This Year – 1
  • Rejections This Year – 29 (11 higher tier)

Submissions

I missed last week, so this is a double update. I’m also pretty sure that I started this series a few weeks into the year, and yet I’m approaching week fifty-two…which makes me suspect my count got messed up somewhere. In any case, we’re approaching the end of the year!

One of my drabbles came back two weeks ago, and I had another that had been sitting idle, so I spent some time digging through Duotrope for good places to submit them. I still struggle to find good potential homes for these, as they’re technically “reprints” that have been on the blog previously. I’m currently looking at non-paying markets to expand my options.

Payment in cents per word are generally paltry for 100-word stories anyway, so pursuing the paid options is really just for the ego boost of getting into a bigger, more difficult-to-crack publication.

The Bluefinch and the Chipmunk also came back to me in the past week with a form rejection, which is always disappointing after a longish wait. So it goes. I sent it back out alongside one of the drabbles.

Revisions

I haven’t been doing much on the Red Eyes revisions, and whenever I’m not getting things done, I have that feeling that I ought to work harder. However, I did have several new ideas for the story in the past week, and this is something that happens fairly often when I’m not actively working much on a story, but I have it on my mind. It makes me wonder if the extra time is necessary, or if I’d get to a similar place by spending more time at the keyboard (or at least staring at the screen).

This sort of thing also makes me wonder whether it’s better to let stories sit like this, and work on other things in the meantime, or whether it’s better to stick to one thing to completion. Switching between stories means thinking less about that story in waiting, which means those new ideas and changes in perspective may not come.

I tend to vacillate back and forth on this, sometimes focusing more on a single thing, and sometimes switching between several. Maybe that’s the way to do it.

Goals for Next Week

None. I’m going to enjoy the holidays with my family. If I write, I write. If I don’t, that’s fine too.

Year of Short Stories — Week #49

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 2
  • Submissions This Week – 0
  • Submissions Currently Out – 4
  • Acceptances This Year – 1
  • Rejections This Year – 29 (11 higher tier)

A Quick Update

I don’t have a lot to report this week. A single rejection came back for No More Kings, which was something of a long-shot to begin with, being a drabble and a reprint. I’ve got a couple of these drabbles just hanging around taking up space, and I should probably spend some time finding places to submit them again in the next week or two.

I’m still working on Red Eyes revisions, although I admittedly didn’t get a lot done this week. Still, any progress is good progress, and a long winter vacation is on the horizon.

Approaching the End of the Year

I’m beginning to feel the end of 2024 closing in. For my first year really dedicated to short stories, I’m fairly pleased with the results. I’m sure I’ll do a final retrospective, but I’ve already managed to make 30 submissions. Not too shabby.

Goals for Next Week

  • Look for places to send drabbles
  • Continue Red Eyes revisions

Year of Short Stories — Week #48

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 1
  • Submissions This Week – 0
  • Submissions Currently Out – 5
  • Acceptances This Year – 1
  • Rejections This Year – 28 (11 higher tier)

Submissions

No rejections or new submissions this past week (or rather, this past 4-5 days, since I was late in posting last week’s update). My lone submission the previous week was Dr. Clipboard’s Miracle Wonder Drug, which had just come back to me with a contest honorable mention.

Since I do a lot of my writing work on the weekends, I often resend stories and write blog posts in the same day. Before I do that, I look at the Duotrope Theme and Deadline Calendar, and the Publishing News. The calendar gives me a convenient list of themed issues and anthologies with deadlines in the next month, and the news page gives me a list of new publishers and those that have recently opened to submissions. These two lists are incredibly valuable when you’re sending out short stories.

Most weeks, I don’t find anything particularly exciting in the theme calendar, but it’s still worth checking because I occasionally find an upcoming issue or anthology whose theme fits one of the stories that I’m resubmitting that week.

Last week was one of those weeks, and I found an anthology that sounds perfect for Dr. Clipboard. Sure enough, I got a response within a few hours, holding the story for further consideration.

Further Consideration

This is the first time I’ve gotten this style of response for a story submission. As is typical for anything related to short story submissions, Aeryn Rudel has an article. He puts holds, further consideration, and short listing all in the same bucket—a story that someone at the publisher read and liked enough to consider publishing it.

Since most markets are inundated with submissions and will only end up publishing a fraction of the stories they like, it makes sense for them to keep their options open until the end of their submission window.

Not every publisher notifies the writer that their story is being held. They’ll just hold it and either send an acceptance or rejection when they’ve made a final decision. As a writer, you can appreciate a publisher that communicates the hold, or you can be frustrated to have yet another reason to get your hopes up, and possibly disappointed if that hold results in a rejection.

Personally, I’d rather have the additional information. Even if the story ends up being rejected, a positive, personalized response still tells me that the story is probably solid, and I just need to find the right publication for it.

Stories in Progress

I still have some projects lingering from my truncated November “PerShoStoWriMo.” I haven’t gotten a lot of words down for those stories, but they’re still taking up brain space, and I may spend more time with them in the coming weeks.

I’m still in the process of condensing the critiques I received for Red Eyes into actionable changes. In some cases this is a straightforward rewording or cut, but in other cases it requires a fair amount of thought to figure out how I want to address a concern (or if I want to address it at all). I may write a post in the future about this process.

The most interesting piece of feedback I received was that the length of the story is good. It clocks in around 6,500 words, which is long for me, and I explicitly asked readers if they saw any good places to trim that word count. A few readers ignored the question, but most of them said there were no good places to make a significant cut. A couple even said that they’d like to see a longer version of the story. One suggested a novelette, the other suggested a full-blown novel.

While I don’t plan to follow that advice, the unified response does alleviate my fears that the story is too long. I suppose I’m just stuck with a longer story, and I’ll have to deal with that when I’m finished editing and have to look for markets to submit to.

Goals for Next Week

  • Continue revising Red Eyes
  • Spend some time on one of those other story ideas

Year of Short Stories — Week #46 & 47

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 2
  • Submissions This Week – 1
  • Submissions Currently Out – 5
  • Acceptances This Year – 1
  • Rejections This Year – 28 (11 higher tier)

Happenings

It has been a busy two weeks, and I’ve been neglecting the blog. My wife and I had a double 40th birthday party, which necessitated the first thorough cleaning of the new house. We also finally finished putting away all the little things that had been neglected since the move, and added some finishing touches, like hanging pictures and paint touch-ups.

PerShoStoWriMo (my short-story-writing replacement for NaNoWriMo) was a bust. I tend to do well in these kinds of challenges when I have a good plan at the start and get ahead early. Unfortunately, I started this November a day behind, with merely a concept of a plan, and fell steadily further behind.

I did write drafts for several stories, but I’m nowhere near the original word count goal. Yes, there are still a couple days of November left, but I’m ending it here. It was fun and moderately productive, and that’s good enough.

I do still have one story, tentatively called The Loneliest Number, that’s partly done, and I may still finish it before the end of the month. However, I’ve also got other important things to do, like eat a huge Thanksgiving meal and lay on the couch.

Work in Progress

One of the things that distracted me from PerShoStoWriMo was critiquing. I did a ton of Critters critiques in November so my story, Red Eyes, could go out. Happily, I am now caught up, and I received ten responses, which is pretty good for a 6500-word story.

My next step is to compile all that feedback into a bullet-point list of bigger issues, smaller issues, and potential solutions. Then I’ll get into the revisions.

Submissions

I received two responses for previously submitted stories. My drabble, A Going Away Party, got a form rejection. Interestingly, this was a double submission to a publisher with separate handling of sci-fi and fantasy submissions. The second submission is still marked as “in progress.”

It’s always difficult to guess what’s happening with submissions, but it’s at least potentially a good sign that the second story didn’t get rejected around the same time as the first. Maybe it’s at least being held for consideration. Of course, it could just be a completely separate queue and editors for each story, and the delay doesn’t really mean anything.

The other response was from the Writers of the Future contest, for Dr. Clipboard’s Miracle Wonder Drug. It received an honorable mention, which is nice, although a little further investigation reveals that the contest has quite a few tiers below first, second and third place. There are about a dozen finalists and semi-finalists. Then there are about fifty “silver” honorable mentions, and even more regular honorable mentions beneath that.

There’s no way to determine exactly how many entries the contest gets each quarter, but it’s free to enter and has a big cash prize, so it’s certainly a lot. At least hundreds, and I wouldn’t be surprised if it was more than a thousand. So an honorable mention has some value, but I’d peg it as similar to one of those nice rejection letters that says “we liked your story, keep trying.”

I already sent Dr. Clipboard out again, this time to an anthology with a theme that feels like a pretty good fit. A Going Away Party is a drabble and technically a reprint, which makes it a little harder to find good places to send. I may just hang on to it until I see something like a theme issue where it makes sense to submit.

Goals for Next Week

  • Finish The Loneliest Number
  • Sift through Red Eyes critiques

Year of Short Stories — Week #43

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 5+
  • Submissions This Week – 1
  • Submissions Currently Out – 6
  • Acceptances This Year – 1
  • Rejections This Year – 26 (10 personalized)

PerShoStoWriMo

Week one of my personal short story writing month is in the books, and it didn’t go well!

Okay, that’s not entirely true. I definitely didn’t pull NaNoWriMo “par” numbers, and I missed three days entirely. I’m currently trending toward about 50% of the goal wordcount of 50,000 words by the end of November. And yet, I’m pretty happy with my progress. I’ve blasted through drafts of four short stories so far, and I’m deep into a fifth (considerably longer) story.

I’m being productive with the time I have available. As usual I’m juggling my day job, my kids activities, and other family stuff.

Plus, I have over a week of vacation planned in November, so I may have some time to catch up. Even if I don’t, I’ll still be glad to have gotten quite a few words on the page.

Submissions

I resubmitted The Incident at Pleasant Hills, which came back to me last week.

I’m hoping that I’ll get some responses in the next month or so, but with end-of-year holidays fast approaching, I expect anything that I submit through the end of the year to be out until 2025.

Critiques

I’m still getting caught up on Critters critiques, but the end is in sight now. I’ll catch up sometime this week. This past week is actually when Red Eyes would have hit the top of the queue, so I’m not doing too bad in that regard.

Goals for Next Week

  • Get caught up on critiques!
  • Keep writing short stories for PerShoStoWriMo!

Year of Short Stories — Week #42

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 1
  • Submissions This Week – 0
  • Submissions Currently Out – 5
  • Acceptances This Year – 1
  • Rejections This Year – 26 (10 personalized)

Submissions and rejections

Once again, a fairly quiet week. I did have one bit of news: after three months of waiting, I got a rejection from Analog Science Fiction. Admittedly, I expected to receive a rejection, and I expected it to take a long time. Analog is a bit notorious for very slow submission responses. Duotrope says they average 112 days for a response, with their longest reported response time just barely squeaking in under a year!

What was surprising was that the rejection was actually encouraging. Now, this is traditional publishing, so the encouragement consists of a single sentence: “I like your style of writing and suggest that you try us again.” I think that’s what Aeryn Rudel calls The Improved Form Rejection.

Still, Analog is one of the “big three” SFF magazines, and they’ve published enough Hugo and Nebula award winners to fill a few trophy cases, so I’ll happily take whatever encouragement they give, and I will likely try them again when I have another sci-fi piece.

NaNoWriMo? No. PerShoStoWriMo!

If you missed my previous post, I’m doing something a little different for November, and I’ve given it a dumb name. My guess was that I will write 10-15 short stories this month.

I started off on the right foot by missing Day 1 completely. No words written. On days two and three, I wrote a complete story each day, and comfortably met my “par” word counts (which still leaves me a day behind).

Both of these stories were for a secret project, and I have one or two more that I’m expecting to be similarly-sized. It’s looking like 10-15 stories might be a low estimate, but I’ll have a better feel for how things are going in a week or so.

Critiques

I am still painfully aware that I’m below my ratio on Critters, and Red Eyes is languishing in the holding pen, waiting. Writing 15 other stories probably won’t help with that problem, but I have been making progress and catching up. So long as I can finish a couple per week, Red Eyes should be back in the queue before the end of November.

Goals for Next Week

  • Resend The Incident at Pleasant Hills
  • Continue critiques
  • Blast out stories for PerShoStoWriMo!

PerShoStoWriMo

It’s November, and you know what that means. It’s the month when a bunch of writers try to string 50,000 words together into something almost, but not entirely unlike a novel.

Over the years, NaNoWriMo has grown from a thing that more and more people do to a full-fledged nonprofit corporation with a website and forums and programs and email lists. Somewhere in that process, it has become apparent that this organization has a penchant for saying and doing some questionable things. The most recent controversies involved a moderator grooming minors on the forums, and a statement on AI that suggested that any stance against AI-generated writing was ableist and exclusionary.

NaNoWriMo, the Unnecessary Organization

Thankfully, we still live in a world where pretty much everyone agrees that child-predators are the scum of the earth, and the forum debacle resulted in the whole forum more or less being shut down and a major shakeup in the organization.

The statement on AI, unsurprisingly to everyone except the people making it, did not go over well with the core NaNoWriMo demographic of people who like to write things themselves. It resulted in little more than a bunch of grumpy articles across the web, a quiet backtracking of the original stance, and a response from the NaNoWriMo organization that amounted to “Oh, guys, we didn’t mean it like that.“

Rather than write my own screed about how dumb this is, I’ll just point to a pair of rants by Chuck Wendig: one about the NaNoWriMo thing in particular, and another about the problems of generative AI. I agree with about 90% of what he says on this topic, and he’s just really good at channeling angry outbursts into blog form.

I’ve done my best to ignore the NaNoWriMo organization’s antics in recent years, but I think I’m finally done with them. What will I miss out on? A not-entirely terrible online word count tracker and a Discord that I never use? It seems clear that NaNoWriMo works pretty well as a thing people do, and not so well as an organization. So let’s treat it that way from now on.

PerShoStoWriMo

This year, I’m not writing a novel, or even something vaguely similar. No, it’s my Year of Short Stories, and I’m going to spend the month attempting to write 50,000 words of short stories. To get in the proper spirit, I’ve christened the month with a new, even more insane pseudo-acronym. It’s my Personal Short Story Writing Month: PerShoStoWriMo.

The advantage of a novel-sized story idea is that I generally don’t run out of plot in 50,000 words. I write sci-fi and fantasy, where 100,000-word novels are considered to be a bit on the short side. But when it comes to short stories, I try to actually stay on the short end of the spectrum. This poses a big question.

How many stories am I going to have to write to hit 50,000 words?

I don’t know, but I can make some educated guesses. If we ignore microfiction, my stories range from around 1400 words to 6500 words. The halfway point in that range is about 4000 words, and while I probably write more stories on the shorter end of the spectrum, I also tend to write long drafts and pare them down in editing.

So, to meet my goal, I’ll most likely have to write 10-15 stories.

Hmm. It sounds a little insane when I say it like that. I’ve written fewer stories over the past year. Still, those other stories were properly edited, then critiqued, then edited again. There will be no editing this month. That goes against the ethos of PerShoStoWriMo.

I do have a few short story ideas lined up or in progress. I’ve talked about The Vine, Portrait of the Artist in Wartime, and The Scout, and I’ve got one or two others rattling around in the back of my head. I also have a secret project in the works, and this will result in another couple of stories, at least.

An Exciting November

All in all, this PerShoStoWriMo thing feels right. It’s got a ridiculous name, it will force me to get a bunch of writing done, and it’s right on the edge of what feels possible.

I’ll keep you posted throughout the month, and we’ll see how it goes.

Are you doing any writing challenges in November? Let me know in the comments.