Tag: year of short stories

Year of Short Stories —Week #2

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in progress – 1
  • Submissions this week – 0 (1 currently out)

An Unproductive Week, A Cool New Tool

Short post this week, as I ended up being busy and didn’t get much done in the short story department.

I did discover an exciting new tool, Chill Subs. It already provides a publication database and submission tracking tool for writers, similar to the Submission Grinder and Duotrope. Even better, it’s looking to unseat Submittable as the de facto tool for editors to receive and track submissions.

In recent years, Submittable has become almost ubiquitous among literary fiction magazines, pushing the transition from snail mail to electronic submissions for short fiction. But its pricing scheme is predatory. It charges not only a monthly fee, but a fee per submission processed. Since so many literary magazines live on the budgetary knife’s edge, this has helped to drive the now-common submission fees for literary writers hoping to get their fiction published.

I feel lucky to work in genre fiction. The fantasy and science fiction space has more than its fair share of technical people. We’re lucky to have developed tools like Moksha and the Clarkesworld submission system.

Chill Subs aims to bring its own submission manager to market some time in Fall 2024. Their delightful website even allows you to choose how optimistic you are about their chances, updating the language and graphics accordingly. It’s a small team operating with a surprising amount of transparency, and their love of the craft (and the authors and editors) shines through. I don’t know if I’m “confident AF,” but I really hope they succeed.

Goals for Next Week

Same as last time!

  • Revise “Pleasant Hills”
  • Research more publications and submit at least one drabble
  • Begin writing “Portrait of the Artist in Wartime”

Year of Short Stories —Week #1

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in progress – 1
  • Submissions this week – 1 (1 currently out)

Reviewing the Backlog

This first week, I spent some time reviewing short stories that I already have finished and edited.

“Dr. Clipboard’s Miracle Wonder-Drug” is a 1400-word modern fantasy story about a man in a drug trial who experiences an unexpected transformation. It has already been through critique and polishing, and is ready to send out.

In general, there tend to be more venues for shorter stories than longer ones. This is a nice length because most publications will accept it. It’s right on the edge of flash fiction territory (depending on your exact definition).

I recently gave a Critters critique that got me thinking about story titles and the ways they can add to the story itself. I spent some time rethinking this title, and while I didn’t end up finding one I liked better, it was still time well-spent. One of the most valuable things I get out of critiquing others’ work is new insights that I can apply to my own work.

I also have four finished drabbles that I’m fairly satisfied with. One is new, but the other three are already posted here on Words Deferred, so they could only be submitted to publications that accept reprints.

I don’t really know how easy it is to sell drabbles, since they’re so short. I’ve only seen them in a couple of publications that specialize in them, so my guess is that they are harder to place than flash fiction in the 500-1000 word range.

Submitting Stories

Duotrope is a great tool for narrowing down possible places to submit stories. I start by narrowing my search to the appropriate genre(s) and length. I also limit my search to professional pay rates. Well-paying publications are going to be more competitive, but you might as well try. If the story gets rejected, you can always submit to the semi-pros markets next.

However, that filtered list of publications is just the start of the process. The bulk of the effort is in reviewing those publications to find a good fit. After all, it’s a waste of time to submit a story to a place that doesn’t publish what you’re writing.

Duotrope has interviews with the editors of some publications, and these (usually) provide some insight into what they’re looking for. Ultimately, though, the best way to get to know a publication is to read it.

So, I read a few of their stories, if possible, and try to get a feel for what the editors like. Conveniently, a lot of publications these days are online, and it’s common for at least some stories to be available for free.

This all has the added benefits of immersing my brain in good short fiction and giving me a better understanding of what the current market is like in my chosen genres. It feels like a lot of effort now, especially if I decide that a publication isn’t a good fit for the story I’m sending out, but I hope that over time I’ll develop a good feeling for many of these markets, and I won’t have to do quite so much research.

This week, I only submitted one story, “Dr. Clipboard,” and that’s at least partly because I spent a few days deciding where to submit.

Work In Progress

I have one story in progress, a 2000-word sci-fi story called “The Incident at Pleasant Hills,” about the detonation of an architecture bomb with the power to reshape a city. It has been through critique and needs some revisions before it’ll be ready to go out the door.

The final story I’ll talk about this week is one that I’m just starting, tentatively titled “Portrait of the Artist in Wartime.” It’s a science fiction story about a performance artist who uses time travel to create his magnum opus. I’m going to try to write this in the form of an interview with the artist’s former assistant.

It’s interesting to note that the core ideas of both of these stories came from my brainstorming sessions with Story Engine cards.

Goals for Next Week

  • Revise “Pleasant Hills”
  • Research more publications and submit at least one drabble
  • Begin writing “Portrait of the Artist in Wartime”