State of the Blog — August 2021

Has it been a year already?

In the spirit of being open about my process and progress, I decided to do a State of the Blog post every six months. This gives me a chance to evaluate my work, and hopefully will be helpful to others.

Goals

Why am I blogging?

  • To hold myself accountable to a writing schedule
  • To develop an audience of readers
  • To provide something useful to other writers
  • To make connections with other writers

This is the context that helps me decide how well I’m doing.

I started the blog around August 2020, deep enough into the pandemic to know that it wasn’t going away any time soon. Like many people, I was tired of the dread-induced lethargy, and looking for some creative outlet. I also needed something to help me keep my writing on a schedule; something to keep me accountable.

I didn’t have a plan exactly, but I did have a bunch of ideas. I’ve made vague attempts at blogging before, and they’ve never gone anywhere. This time, I was determined that if I was going to do it, I’d do it properly.

I had the idea of writing a serial novel, released episode by episode. I have a love of writing, and I knew that I enjoy sharing what I’ve learned with others. So before I started, I forced myself to list 100 possible topics for blog posts — to make sure I had enough fodder to keep me posting twice a week for at least a year.

The Metrics

  • Months blogging: ~12
  • Posts: ~85
  • Followers: 29 (and 9 on Twitter)
  • Monthly Views: 93 (average over last 3 months)

These numbers are small. That doesn’t bother me. I’d love to reach a bigger audience, but the important thing is the trend line, and the numbers are steadily growing. I can still get excited when I set a weekly or monthly record in some metric, and right now that’s happening pretty frequently.

Two Posts

After the first few months, I settled into a consistent schedule. On Mondays, I post something about the craft of writing. On Fridays, I post a development journal, where I document my progress on my serial novel, Razor Mountain. I always write my posts early, do a fairly quick editing pass, and schedule them for release.

This basic two-posts-per-week model has worked pretty well. The Monday post provides variety. I can write a Reference Desk post about useful tools, or a post about writing concepts like hooks, conflict, or outlining. Meanwhile, the Friday Razor Mountain posts provide consistency.

Writing these two posts per week also gave me a good baseline for how much time I could devote to the blog. I’m not a full-time writer. I have a day job and other projects keeping me busy. I needed to make sure I wasn’t trying to write more for the blog than I could sustain long-term. Two posts per week was good for me.

Three Posts?

After months of that cadence, I’ve started experimenting with more content. Part of this was finding things that I enjoy posting about, and that readers would enjoy reading. Part of it was finding ways to avoid dramatically increasing the time I spent writing for the blog each week.

I’ve decided to add a Wednesday post to my weekly schedule. I set myself a rule that I can’t spend more than an hour on a Wednesday post. These posts can be shorter and/or sillier than my other posts. I’m also trying to tie them into my other writing projects. Some examples of these Wednesday posts are my series on Twitter microfiction and my “ground-breaking” Writing RPG™.

I still consider the Wednesday post optional. I may skip it sometimes.

The Future

My biggest goal right now is to finish outlining and prep for Razor Mountain. Once that’s done, my posting schedule will probably change again. I still plan to post weekly development journals to talk about the writing process, but I’ll also be posting the actual chapters/episodes.

Being an inveterate planner, I will be writing chapters ahead of my posting schedule, so I have time for beta reader critique and revision. I plan to post episodes on other services as well, and I’ll be going into the details of that process.

I’m also working on interacting more with other bloggers. As a classic writer introvert, it takes a bit of effort to overcome the imposter syndrome and convince myself to comment on other blogs, even when I think I have something to contribute.

I’m also trying to reblog more of the good writing craft posts that I see, especially on days when I don’t have my own content scheduled. It took me a few months to find a decent list of WordPress blogs in my wheelhouse, but now I’m regularly seeing post in my feed that are worth sharing.

Next Stop

I’ll see you back here in six months, for the 1.5 year blogiversary!

Razor Mountain Development Journal #35

This is part of my ongoing series where I’m documenting the development of my serial novel, Razor Mountain. Be forewarned, there are spoilers ahead! You can start from the beginning here.

Last Time

I started tracking the resolutions to the mysteries I’ve set up, which helped me to think about how I’m going to structure all the info-dumping toward the end of the book. I added two more chapter summaries: 33 and 34.

Chapter 35

Christopher awakes, still himself, but feeling different. He realizes he cares less about returning home. His former life feels far away, like things that happened to someone else. He assumed the transition would be like flipping a switch, but he realizes that he may not even notice when he has stopped being Christopher.

He studies the voices of the artifacts that he can hear whispering. He finds a vast array of memories, strange and divorced from their context in many cases. Some are of other worlds, other beings. Some are human memories from the people who were subsumed by God-Speaker. He sees the moment when the artifacts crashed into the mountain. They are alien consciousnesses.

Cain arrives with breakfast. He explains that he has scheduled meetings with other secretaries of the cabinet. Christopher can ask questions and answer them. He explains that many are eager to have God-Speaker back, but a few are content with the stagnant state of things, and a few are just less trusting.

First, Christopher meets with the Secretary of Communications, who is clearly distrustful of him and brings a list of questions that only God-Speaker should be able to answer. Many relate to the propaganda and lies used to keep the populace of Razor Mountain under control. Christopher answers some, but doesn’t remember others. X is not entirely convinced.

Next, Christopher meets with the new Secretary of Justice, who acts completely certain that Christopher is God-Speaker. He clearly wants to curry favor. Christopher is irritated, but isn’t sure if it’s his own feeling, or God-Speaker’s. He realizes that God-Speaker was treading a fine line: trying to cultivate competent subordinates with absolutely no desire to gain more power, so he wouldn’t have to deal with attempted coups. He asks about the Exiles. They’ve been recaptured (except for Amaranth). Christopher demands that they be treated well.

Cain takes Christopher on a tour of the facilities, explaining the many ways that things have degraded while God-Speaker was absent. They eat lunch. Christopher takes some time to quiz Cain, but it seems that Cain is the perfect subordinate. He loves keeping everything going like clockwork. He wants to innovate and improve. But he does not want to lead. He doesn’t want more power. He just wants to make things, and make things better.

They visit the former Secretary of Justice, who is imprisoned, and has been since the coup. Cain has talked with her often, and believes she may be innocent. If not, she was not the only perpetrator. They talk, and she reasserts that she is innocent. She seems to have been broken, and shows little interest in anything.

Finally, Christopher meets with Reed. Reed is taciturn and polite. He says that he neither believes nor disbelieves that Christopher is God-Speaker. He will wait and see. He outlines what he is in charge of, and pushes back against Cain’s characterization that everything has gotten worse in God-Speaker’s absence. After the interview, Christopher has a nagging feeling about him. He tells Cain that he got the impression that Reed is one of those who would like more power. Cain agrees – he has been trying to block Reed’s careful little power-grabs for years.

Over dinner, Cain informs Christopher that an attempt was made on his life. Cain ordered breakfast for Christopher, and had an assistant taste it first. The assistant had a severe reaction and had to be rushed to a doctor.

Christopher is shocked that Cain would use another person like that, but Cain is clear that he essentially thinks of God-Speaker as his king. They discuss the likelihood that the killer will strike again, and1 soon. They know that God-Speaker’s memories are returning. The question is if the killer will try to make it look like an accident, or if their desperation will make them sloppy. Cain suggests that they could pretend they already know who is responsible, in an effort to flush them out. Christopher thinks it’s safer to play defense and wait for the memories to return. Cain defers to his judgement.

Cliffhangers: No.

Mysteries:

  • Resolve 2.1 – Is the stone god actually supernatural, or is God-Speaker’s interpretation entirely in his head?
    • It’s somewhere between imagination and hallucination. God-Speaker’s mind is uniquely open to external thoughts intruding, which is what allows him limited communication with the artifacts.
  • Resolve 7.1 – What is happening at the mountain? Meteor? Volcano?
    • This was where the alien ship containing the artifacts crashed.
  • Resolve 10.1 – What are the spirits that God-Speaker thinks he hears? Or does he just have a head injury?
    • They are the voices from the artifacts – alien minds reaching out.
  • Resolve 11.1 – What was the ruined building? How and why was it destroyed?
    • There was a small rebellion led by a group of soldiers who realized that the populace of Razor Mountain was being lied to. That bunker was where they made their last stand.
  • Resolve 16.2 – What are the voices/artifacts?
    • Alien minds.
  • Resolve 16.3 – What is being done to him?
    • The alien minds in the artifacts attempt and fail to move into his mind, but they cannot. He gains access to their knowledge and memories.

Episode Arc:

  • Christopher is overwhelmed by everything he is learning, and is becoming more and more God-Speaker-like. He feels God-Speaker determined to snatch victory out of decades of near-defeat.

Notes:

  • This is going to be a huge amount of dialogue. May need to be split into multiple chapters.
  • Need names for the new Secretary of Justice and Secretary of Communications

Chapter 36

Christopher researches the history of Razor Mountain through the records and computer systems in his office, trying to align what he reads with his own memories. He looks up information on the exiles and on his own interrogation.

He tries to remember who killed him. He discusses the problem with Cain, who suggests that God-Speaker could always read people exceptionally well, and perhaps he should rely on that.  Christopher counters that it apparently didn’t work the first time, but he decides to rely on his God-Speaker abilities.

He goes to the chamber of the artifacts, alone. He tries reaching out to nearby minds, looking for possible replacement bodies. He still has trouble using the artifacts, but he’s becoming more and more God-Speaker. He realizes that the God-Speaker part of him is already back in the rut of spending all his time fending off death. As Christopher, he accepts that he may die. He is already resigned to a sort of death of himself, as God-Speaker takes over.

Cliffhangers: None.

Mysteries:

  • Resolve 17.1 – Why do the exiles seem to have strange ideas about the outside world?
    • They’ve been fed false information through systems engineered by God-Speaker and his Secretaries of Communications.
  • Resolve 18.1 – What is Razor Mountain? Why do the exiles seem afraid of it?
    • It’s a closed-off city with strict restrictions on coming and going, enforced by a small standing army.
  • Resolve 20.1 – Who is up on the mountain? What is the 550th?
    • An entire city of people. The 550th Infantry is the fake army regiment housed there.
  • Resolve 20.2 – What is the situation between the Razor Mountain people and Garrett and Harold’s people?
    • They attempted to escape without permission.
  • Resolve 21.1 – What was the conflict between Razor Mountain and exiles? What lies are they feeding their population?
    • They are told that they cannot leave the city. It is supposedly a US Army group that operates almost completely independently, under special laws. The exiles only know enough to believe they have been deceived.
  • Resolve 23.1 – Who has captured him? What do they want?
    • The 550th has a policy of capturing anyone found within the perimeter they patrol around Razor Mountain. They believe foreign spies are constantly trying to find the place and gain information.
  • Resolve 24.1 – Who are his captors and what are they planning to do with him?
    • The intelligence officers of the 550th. They suspect he is a spy and are trying to get information out of him.
  • Resolve 25.1 – What exactly is he building under the mountain?
    • A self-sufficient city.
  • Resolve 27.1 – What information is Meadows actually trying to get out of him? Who do they think he is?
    • They suspect he is a spy and are trying to determine who he works for and what information he knows about Razor Mountain.
  • Resolve 29.1 – What is this city and who’s in charge here?
    • The 550th Infantry is in charge at a lower level, but they are directed by the city secretaries. The citizens and soldiers believe these positions are assigned by the US Army leadership and the president. They are actually assigned by God-Speaker.

Episode Arc:

  • The God-Speaker part of Christopher is becoming more and more obsessed over the threat of death. The part of him that’s still himself is less and less concerned about it, however. As he learns more and more about Razor Mountain, he decides that it’s a terrible place, full of people whose motives and entire lives are warped around God-Speaker’s goals.

Notes:

  • The most expositiony chapter in the book?

Results

I worked through two more chapter summaries, 35 and 36. Most of the mysteries are now resolved, and we’re approaching the climax.

Do Characters Need to Change?

I’m always excited to see someone make a well-considered, articulate argument against the traditional “rules of writing.” Lincoln Michel does exactly that, when he suggests that maybe characters don’t need to change over the course of a story.

Can a good story contain static characters, and instead change their circumstances, change how the reader views them, or just make that static viewpoint incredibly compelling?

Reference Desk #13 — Writing Excuses

I have a system for listening to podcasts. First, I hear about a podcast that sounds interesting. Then I subscribe to it on my phone. Then, for weeks, sometimes months, I occasionally look at the icon in my podcasts. Once the podcast is nicely aged, I might decide to try listening to it. Either that or I get irritated with the number of things I’m subscribed to, and I delete it.

I’m glad I didn’t delete the Writing Excuses podcast. I finally got around to listening a week or two back, and now I’m listening to it pretty much every day during my lunchtime walks. It’s my new favorite writing podcast.

There are four regular hosts in the episodes I’ve listened to thus far: Mary Robinette Kowal, Brandon Sanderson, Howard Tayler, and Dan Wells. Each episode typically includes several or all of the regular hosts, along with one or more guests.

The resulting discussions feel a bit like writing conference round-tables with a rotating selection of professional authors. This is a speculative-fiction heavy podcast, with all of the regular hosts and many of the guests working in the sci-fi, fantasy, and horror genres. However, they also bring a diverse set of writing backgrounds, with work ranging across short stories, novels, web comics, traditional comics, audio books/plays, and RPGs, along with the specialties brought in by the guests.

What’s in an Episode?

  • Each episode is about 15 minutes. Occasionally it runs long when the hosts get excited about a topic. This relatively short length makes it easy to listen to an episode in a spare moment here or there.
  • The hosts and guests discuss a single topic. Sometimes it’s stand-alone, sometimes it’s part of an over-arching series that may stretch across as many as ten episodes. Recent multi-episode topics include poetry, writing for video games, and business considerations.
  • Each episode also includes a reading recommendation (or rarely some other media), and a little homework assignment related to the topic.

History

The pod has been around for a long time. It’s been running since 2008 and is currently in season 16. If you’re starting on it now, like I am, that’s a backlog of hundreds of episodes. Unless I really binge, that’ll take me ages to work my way through. As an added bonus, it means that when I’m looking for info on some random writing topic (like serialization or alternate history), there’s probably already an episode covering it.

(I did notice an oddity: on Apple Podcasts, there is a separate listing for seasons 1-6, and another for seasons 7-10. Seasons 11-14 and most of 15f are completely absent. However, all of the episodes seem to be available from the official podcast website.)

Links

The official website (with all episodes, transcripts, and additional stuff) is https://writingexcuses.com/.

There is also a discussion forum for the podcast on Brandon Sanderson’s website: https://www.17thshard.com/forum/forum/34-writing-excuses/.

Who to Write For When You Have No Audience or Readership

Elliot Chan's avatarElliot Chan

At the beginning of your writing journey, you won’t have a following. No audience. No readers. Nobody knows who you are. It’s almost impossible for them to find you. It can be an awfully lonely place at the start, and in this solitude, you’ll ask, “Why am I even writing this? Nobody will read it.”

Writing is more than putting words on pages. Writing is communicating. To solve the problem of not having a readership, all you have to ask is “Who am I communicating with?” Now, at this point, you might have an epiphany and discover your audience are the children of Mexico or all the pregnant women in their second trimester. If that’s you. Great! All you have to do then is direct your writing efforts towards schools in Mexico or building a pregnancy blog, and in a matter of time, you’ll have an audience.

But then…

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