You can find my spoiler-free journals for each chapter, my spoiler-heavy pre-production journals, and the book itself over at the Razor Mountain landing page.
This chapter took extra-long to get through, mostly because I do the brunt of my writing on weekends, and my weekends have been fully booked lately. As usual, it was hard to get back into it, but it felt good once I did.
I had originally outlined this as two short chapters, but as I mentioned in previous weeks, I’ve been looking to consolidate as I approach the end of Act I. I think these chapters ended up being better as one than they would have been if they were separated.
The end of the first section is mostly Christopher working himself up to his emotional revelation, which is that he is going to keep going instead of turning around and heading back to the bunker, as he has been telling himself. The second section ends with an external revelation in the form of the rabbit. Both the internal and external aspects move the story in different ways, and I don’t think it would be terrible to have them driving two separate chapters, but they complement each other nicely when put together.
The inner-focused part of the chapter provides more hints about Christopher’s past. One of the keys with long-running mysteries in a story is to keep the reader thinking about them. Laying down some groundwork early on is not very useful if you then go a hundred pages without mentioning it again. I’ve been trying to keep juggling some of the ongoing mysteries by alluding to them every few chapters. In this case, I want the reader to keep wondering what exactly went on in Christopher’s past.
This chapter also worked to expand how Christopher views himself, at least a little bit. This is challenging when the character is alone for such a large portion of the book. Just having him think about himself constantly doesn’t work very well, and he doesn’t have other characters to play off of and reveal his character in a more passive way. Luckily, lots of things will be changing as we finish off Act I.
Finally, my last goal in this chapter is to draw parallels and contrasts between God-Speaker and Christopher. God-Speaker is with his tribe, while Christopher is alone. In the “tribe” timeline, it’s verging on Spring, while Christopher is headed into Winter. Both of them are headed in the same direction: toward the mountain with the shattered peak.
There’s a natural play between these two timelines and main characters, by virtue of them being the stars of the show and the alternating chapters. However, I want to set out some of these simpler comparisons early, because there will be more as the story progresses.
That’s all for this chapter. I’m looking at combining another pair of chapters from the outline, which will leave me with three more to close out Act I. See you next time.