Razor Mountain Development Journal — Chapter 12

You can find my spoiler-free journals for each chapter, my spoiler-heavy pre-production journals, and the book itself over at the Razor Mountain landing page.

Thank God For New Characters

This was a big, exciting chapter for a lot of reasons, and a fun one to write. This marks the end of Act I for Christopher, so a major shift in the story is appropriate.

Christopher’s long isolation is at an end. I get to introduce him to a new character, and then a whole host of new characters. A protagonist who is all alone presents some special challenges, as I’ve discussed in previous development journals, so it’s a relief to be out of that stage. It comes as both a relief and a shock to Christopher to suddenly be around people again, and hopefully readers will feel a little bit of a jolt as well.

This chapter serves as a transition. Rather than jumping into big blocks of dialogue, we start with a few terse sentences. Amaranth’s inability to speak (and her unwillingness to answer all of Christopher’s questions) means that we really only get a few terse sentences of back-and-forth between the two characters.

I really like Amaranth as a character. She comes across as very mysterious initially, but we’ll eventually see that she’s a person with simple motives. Writing her poses a few challenges—it can be hard to clearly describe gestures in fiction. I tend to fall back on a simple description paired directly with the character’s interpretation of what they’re being told. This hopefully helps the reader build an image in their head while making the meaning clear (or unclear, if that’s the goal).

I also had to decide how to depict her written responses in the text. I debated italics and eventually went with bold, just because it stands out more. I think I would ultimately like those “written” lines to be in a font that simulates handwriting, but that is more hassle than I want to deal with right now, especially when I’m posting the story across multiple services, and they each have their own tools and limitations.

Old Mystery, New Mystery

Along with the transition to Act II, we get the resolution of some major mysteries. However, the plot has to keep moving, and these resolutions only lead to new questions. Yes, there are more mysterious structures out here, and yes, there are people in them. But who are they? Why are they here? And why does at least one of them seem intent on shooting Christopher?

This is a balancing act. In this kind of “mystery box” story, the reader needs some mysteries to resolve or at least move forward. Otherwise, it just feels like it’s piling confusion on top of confusion until the reader gets fed up. On the other hand, the story’s momentum is built on those mysteries and getting to their resolutions, so the mysteries need to ramp up in scale and importance until the end, when the biggest payoffs and resolutions can finally happen.

Revision

This chapter and the previous chapter both started as two chapters in the outline (so these were originally conceived as four separate short chapters). I’m happy with how these turned out when reduced and combined.

There are two chapters left in Act I in my outline. These are both God-Speaker chapters, and once again I think it makes sense to combine them. This neatly keeps up the format of two Christopher chapters for every God-Speaker chapter. And while Chapter 12 was a pretty big moment in Christopher’s story, I’d argue that Chapter 13 will be an even bigger moment in God-Speaker’s. It’s the perfect way to wrap up the act.

The start of Act II will also signal a change in the format of the chapters. Christopher’s timeline will continue apace, but God-Speaker’s story is about to jump through time at a much faster pace. This big inflection point is a subtle signal that will hopefully make that more palatable for the reader.

Research

I didn’t have to do a lot of research for this chapter. In fact, the only things I looked up involved elevators. Specifically, what’s at the bottom of an elevator shaft? As it turns out, hydraulics, springs, or a shock absorber, and not much else. It only ended up mattering for a few sentences in this chapter, but I now know a little more about the different types of elevators out there than I did before.

Next Time: Finishing Act I!

That’s all for this chapter. Next time we’ll talk Chapter 13, and the end of Act I for God-Speaker.

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