This is part of an ongoing series where I’m documenting the development of my serial novel, Razor Mountain.
You can find my spoiler-free journals for each chapter, my spoiler-heavy pre-production journals, and the book itself over at the Razor Mountain landing page.
The Great Act II Chapter Consolidation
In my previous journal, I talked about consolidating two chapters (as defined in the outline) into one: what is now posted as Chapter 17. It made sense because they were consecutive chapters, contiguous in the narrative, and both were shorter than I expected when I finally wrote them out. Also, because of the way I had laid out the surrounding chapters, it was easy to shuffle them around and avoid having to change the structure too much.
With this fresh in my mind, I started working on Chapter 18 and quickly determined that I should do the same thing once again. In fact, several of the chapters from Christopher’s point of view in Act II are going to be short, even in the outline. I think I was trying a little too hard to keep the 2:1 ratio of Christopher and God-Speaker chapters when it really doesn’t serve the story so much as give me the satisfaction of a mathematically precise outline.
There’s nothing wrong with short chapters, but the chapter breaks need to serve a narrative purpose, and some of these just weren’t doing that. After combining two more chapters to form the new Chapter 18, I decided to spend some time re-evaluating the rest of Act II for more consolidation. I had also trimmed enough that I could no longer keep my 2:1 ratio, so I needed to figure out how to correctly order the remaining chapters.
Reordering different narratives within a book can be a real pain, especially when you have multiple points of view or time periods to keep track of. As Lemony Snicket told us, stories are a series of unfortunate events, and you’ve got to make sure your causes and effects happen in the right order (unless you’re doing some really crazy time-travel shenanigans).
Luckily, Razor Mountain only has two points of view, each in a very different time. Different parts of those narratives fit together to reveal bits and pieces of the larger story together, but in many cases the ordering of the actual chapters is not that critical.
However, there is a single major “connection point” where the two timelines and points of view come together. This is where several major mysteries are resolved (although a reader who is paying attention will probably know what’s coming). This big moment in the narrative is situated neatly at the end of Act II, and the structure and point of view will change once again going into Act III. So my main concern with rearranging chapters is to ensure that the secrets aren’t given away before the end of the act, and that this section of the story still builds up to the final two or three impactful scenes.
I’ve now done my rearranging and I’m fairly happy with it. I’m still considering some changes right at the end, but I’ll look at that more seriously when I get to those chapters.
Chapter 19 will finally get us back to God-Speaker. With the combined chapters, it feels like it has been even longer than usual since we last spent time with him. His narrative is still time-jumping, so it’s been an even longer wait for him. God-Speaker has already been through a lot, but in these next few chapters I’ll be working doubly hard to show how events come to shape God-Speaker’s personality and who he eventually becomes.