Some Short Story Submissions

After focusing intensely on submitting short stories in 2024, I have to admit, I fell off hard in 2025. However, I haven’t been completely dormant. I’ve been writing a little and submitting a little, so I figured it’s about time for an update.

The Joy of Simultaneous Submissions

I have two stories out on submission right now, and both have been rejected a few times, mostly by big pro markets.

I submit to these big markets first, simply because an acceptance will come with a bigger check and more prestige. It would be fun to have my name on a cover that has been graced with genre greats; the magazines that I read when I was young.

Am I confident that my stories are a high enough caliber for those markets? No, but judging the quality of fiction is such a personal, opinionated thing, and doubly so when you’re the one who wrote it. So why not? It’s worth a shot.

The big magazines and websites can afford to be picky and demanding. They often have months-long slush pile backlogs, and don’t allow multiple or simultaneous submissions. Once you’ve submitted, your story could be in limbo for a quarter, six months, sometimes even longer. All for that <1% chance at a big acceptance.

The stories I have out right now are past all that. They had their shot. Now I’m submitting to lower-paying and less well-known markets. There are three reasons why this is nice.

  1. There are a lot of them! Even in the face of limited reading windows, narrow topics/genres, and themed issues, most stories have at least a couple reasonable places to submit in a given month.
  2. They have smaller slush piles, and that often equates to higher acceptance rates and faster responses.
  3. Many of them accept simultaneous submissions, which means you can send a story to several places at once.

So even though I only have two stories I’m currently submitting, I’ve been able to make 11 submissions, which isn’t too bad.

Timing the Market

Another thing I’ve noticed is that there seem to be a lot of markets that open for submissions in the summer, and close at the end of July or August. There are reading windows all year round, but there are also these larger trends. December and January seem to be the worst times to submit, with so many people out on holiday in the US and Europe.

I still check the Duotrope themed submissions calendar and publishing news pages fairly frequently. Their “Fiction publishers that have recently opened to submissions” list is a great way to track reading windows without trying to keep tabs on all the markets in your genres. The theme deadlines list is easy to glance through to see if anything matches any of the stories that I’m currently shopping around.

Drafts and Critiques

I’m still very behind on my rough drafts and critiques. I wrote a couple stories this year, and I’m now sitting on four that are somewhere between “technically complete” and “needs a final polish.”

The downside of using Critters for critique is that I’m not very good at keeping up my three(ish) critiques per month, so when I have stories I want to submit, I tend to have to do a couple months of critiques to get caught back up. However, with my finished stories out on submission, I really have no excuse. Aside from revision being the toughest part of the job.

The rest of August is going to be busy. I have a family vacation planned for the end of the month, and the kids are back in school the week after.

I’ve set myself a lofty goal of trying to get all four stories edited before the end of the year. That works out to almost one story per month. Doesn’t sound too implausible…until you compare it to my track record for the year so far.

That’s all the news that’s fit to print. How is your summer writing going? Let me know in the comments.

Year of Short Stories — Week #43

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 5+
  • Submissions This Week – 1
  • Submissions Currently Out – 6
  • Acceptances This Year – 1
  • Rejections This Year – 26 (10 personalized)

PerShoStoWriMo

Week one of my personal short story writing month is in the books, and it didn’t go well!

Okay, that’s not entirely true. I definitely didn’t pull NaNoWriMo “par” numbers, and I missed three days entirely. I’m currently trending toward about 50% of the goal wordcount of 50,000 words by the end of November. And yet, I’m pretty happy with my progress. I’ve blasted through drafts of four short stories so far, and I’m deep into a fifth (considerably longer) story.

I’m being productive with the time I have available. As usual I’m juggling my day job, my kids activities, and other family stuff.

Plus, I have over a week of vacation planned in November, so I may have some time to catch up. Even if I don’t, I’ll still be glad to have gotten quite a few words on the page.

Submissions

I resubmitted The Incident at Pleasant Hills, which came back to me last week.

I’m hoping that I’ll get some responses in the next month or so, but with end-of-year holidays fast approaching, I expect anything that I submit through the end of the year to be out until 2025.

Critiques

I’m still getting caught up on Critters critiques, but the end is in sight now. I’ll catch up sometime this week. This past week is actually when Red Eyes would have hit the top of the queue, so I’m not doing too bad in that regard.

Goals for Next Week

  • Get caught up on critiques!
  • Keep writing short stories for PerShoStoWriMo!

Year of Short Stories — Week #40 and #41

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 1
  • Submissions This Week – 0
  • Submissions Currently Out – 6
  • Acceptances This Year – 1
  • Rejections This Year – 24 (9 personalized)

Mini-Update

Despite the two weeks since my last update, I don’t have a lot to report on. Stories are still out on submission. Red Eyes is queued for critique. I’m working on getting my Critters ratio back up to 75%, but it’s slow going.

I suppose the cynical and expedient thing to do would be to bang out some smaller, quick critiques just to get it done. However, I really do enjoy critiquing. When I first started with Critters, I used to struggle to write a few hundred words of (hopefully!) helpful feedback. Now I find that my critiques can easily hit a thousand words or more.

November Plans

Last year I posted daily updates for my NaNoWriMo experience. I considered doing the same thing this year and working on the second half of that same novel, but I don’t really want to put the year of short stories on hold for a month, especially in the home stretch.

Instead, I’ve decided that I’ll be sticking to the conventional NaNoWriMo goal of writing 40,000 words in a month, but attempting to hit that goal by writing short stories.

How many? As many as it takes.

Do I have enough ideas and half-finished stories for that? I guess we’ll find out together!

Goals for Next Week

  • Keep on critiquing!
  • Plan out the stories I’ll be writing in November.

Year of Short Stories — Week #37

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 1
  • Submissions This Week – 2
  • Submissions Currently Out – 6
  • Acceptances This Year – 1
  • Rejections This Year – 18 (9 personalized)

The Subs and the Pubs

Last week, Dr. Clipboard and Bluefinch came back to me, so this week I sent them out again–one to a publisher that usually responds in a few days, and one that typically takes more than a month. Luckily, I snuck this submission in right at the end of their quarterly deadline. I’m hoping that will make the response slightly faster.

Tom, Dick, and Larry also came back, with one of those odd rejections that mostly sounds like a form letter, but has just enough specificity that I suspect it’s not. The end result is the same, but these editors don’t seem to understand that I have to categorize the response for my stats!

The Edits

I continued to trim Red Eyes, shaving another hundred words off, and making a few other adjustments. I’m hoping I can trim around 400 more in this round of edits, to get it down to about 6,000 words.

I logged back into Critters.org after taking several months off. I’m several critiques behind, so I’m planning to do a couple per week to get caught up. I’ll need to get my ratio to 75% again by the time Red Eyes goes out for critique. Since it takes several weeks to get a story through the queue, and I haven’t submitted it yet, I should have plenty of time.

Goals for Next Week

  • Trim Red Eyes to 6,000 words
  • Finish 2 critiques

Year of Short Stories — Week #27

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 2
  • Submissions This Week – 0
  • Submissions Currently Out – 2
  • Acceptances This Year: 1
  • Rejections This Year – 17 (7 personalized)

Acceptance

It was a busy week for submissions, but the exciting news is that I received my first acceptance of the year. My drabble, Renter’s Dilemma, will be published in an upcoming horror anthology.

Part of being a writer is the “skill” of being simultaneously self-aggrandizing and self-deprecating, so my inner critic immediately looked for some reasons to get less excited: it’s just a drabble, it’s a big anthology series with lots of authors, and there’s no payment. But hey, the truth is that there are fewer and fewer publications that pay, and a writing credit is a writing credit. I’ll take a win, and keep on submitting. And I’ll post links when it’s released.

A Little Clarity?

I also received an odd email this week that made me realize even those who work in publishing sometimes have trouble communicating clearly.

This email was in response to a submission I had sent, and it said that the story had been “accepted for further consideration.” Since this publication accepts submissions via email, I am assuming this is nothing more than an acknowledgement that they received my story. (Duotrope’s guidelines for their normal response times also backs this up.) However, many publications do require submissions to pass through multiple readers or editors before acceptance, so this could conceivably be a note that the story made it through a first round.

The word “accepted” is a very loaded word in a response to a submission, so this phrasing that starts with the story “accepted” and ends with “further consideration” ends up being a linguistic rug pull for expectant writers.

Rejections

I received two speedy rejections this week: one for my recently renamed drabble, Tom, Dick and Larry, and one for Incident at Pleasant Hills.

I don’t normally talk about where I’m submitting, but I did want to mention how much I appreciate Clarkesworld Magazine. They are an excellent sci-fi mag with a very nice homemade online submission system, and they are remarkably fast at responding to submissions, despite being one of the biggest English language sci-fi markets.

Goals for Next Week

Quick turnarounds on submissions are a mixed blessing. It means I’m getting stories in front of more editors, sooner, but it also means I’m spending more time prepping and sending stories. It’s a lot easier to get to some of my other writing goals when stories aren’t coming back to me in 3-4 days.

As usual, I find myself with a lot of things I’d like to do, and not enough time to get them all done. I need to re-send those rejected stories, and I need to continue working on my stories in progress. That’s the bread-and-butter work.

I do still have a couple of completed drabbles that I have not been sending out, and this is mostly because it’s a pain to find places that are interested in a 100-word story. I also haven’t really done any simultaneous submissions, even when I’m sending stories to publications that allow it. That’s another way to get more stories in front of more editors.

Finally, there are always Critters critiques to catch up on. Those tend to be the first thing I let slide when I have too much to do. Luckily, I’ve built up a lot of credit, but it will eventually run out, and I don’t want to end up with a story blocked, waiting in the queue while I try to catch up on my quota.

So, I’ll throw down all of these as goals, with the understanding that I’m only going to get some of them done in the next week:

  • Resubmit rejected stories
  • Look for simultaneous submission options for The Bluefinch and the Chipmunk
  • Submit more drabbles
  • Work on incomplete stories
  • Catch up on critiques

Year of Short Stories — Week #26

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 2
  • Submissions This Week – 4
  • Submissions Currently Out – 5
  • Rejections This Year – 15 (7 personalized)

Playing Catch-Up

First thing this week, I queried the final submission that was still outstanding after my one-month writing break. The magazine responded promptly, and it was a rejection that was likely eaten by my spam filter. I’ll need to be a little more vigilant checking for responses in the future.

I re-submitted the four stories that came back to me over the past month. The process still takes a while, but I’m getting better at having publications lined up for each story, so it’s mostly a matter of checking the particulars and making sure my cover letter and formatting match their expectations.

I submitted Dr. Clipboard to a contest with a small submission fee. This is the first time I’ve spent money on a submission. I received positive feedback on a different story from the magazine running the contest, so I’m hoping that their tastes align with my style.

The Halfway Point

We’re over halfway through the year, but I got a late start on my “year of short stories” project, so this is week 26 by my count—the official halfway point.

I’d be lying if I said I wasn’t hoping I’d have an acceptance at this point, but the process is slow, and I have received positive feedback. I’m also feeling more and more comfortable with the short story grind, from writing and editing to submission. It’s quite a bit of work, but I’m having a lot of fun.

Goals for Next Week

With my finished stories back in submission, I really need to get back to writing. I’ve also been neglecting my Critters critiques, and I need to get back into that habit as well.

  • Get back to writing stories and get my word count up
  • Finish a few Critters critiques

Year of Short Stories — Week #14

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 2
  • Submissions This Week – 2
  • Submissions Currently Out – 3
  • Rejections This Year – 8 (3 personalized)

Critiques and Rejections

This week, I finished what I started last week and caught up on my Critters critiques.

While not as exciting as an acceptance, I did receive two more personalized rejections in the past two weeks—one from a bigger publication, and one somewhat smaller. Still, it’s always nice when an editor says they want to see more of your work.

Finishing the Finch

I continued to edit “The Bluefinch and the Chipmunk” this week, incorporating all the feedback. I initially thought these would be relatively small, but in the end I found a few bigger changes to make, including a new ending.

For the third week in a row, I think I’m almost done. I’m going to let the story sit for a few days and come back to it with fresh eyes before doing the (hopefully) final cleanup.

Goals for Next Week

  • Send out “Bluefinch”
  • Get back to work on “Red Eyes”

Year of Short Stories — Week #12

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 2
  • Submissions This Week – 1
  • Submissions Currently Out – 3
  • Rejections This Year – 6 (1 personal)

Are Drabbles a Long Shot?

I got a rejection and re-sent “Tom, Dick, and Derek” this week. It’s a drabble, and I’m still unsure whether it really has a chance at any publications that don’t specialize in super-short fiction. There are still a couple paying markets that I have lined up for it. If none of those pan out, I’ll see if there are any good non-paying drabble markets out there.

Critique Catch-Up

Critters has a policy requiring members to submit a critique approximately three out of every four weeks—a participation ratio of 75%—to ensure that each submitted story gets a good amount of feedback. I’ve been slacking lately, and my participation ratio has fallen to about 85%. Not a big deal, but I like to stay around 100% so I have a nice buffer.

I decided this week was as good a time as any to catch back up. As an added bonus, Critters offers one “Most Valuable Critter” token to the person who does the most critiquing in a week, so if I write several, I have a chance of getting that. The MVC token is used to send a story straight to the front of the queue (which normally takes 2-3 weeks).

Finishing “Bluefinch”

Speaking of the Critters queue, my story “The Bluefinch and the Chipmunk” reached the top and was sent out this week. I’ve already received a good number of critiques, and I expect a few more to trickle in by Wednesday, when the Critters week ends.

I’ve already begun synthesizing that feedback into changes I plan to make, so hopefully I can finish those final edits and send it out by the end of the week.
Unfortunately, between extra critiques and these edits, I have good reasons to put off “Red Eyes” for the week. I’ll get back to it next week.

Goals for Next Week

  • Get my Critters ratio back up to 100%
  • Edit and submit “Bluefinch”

Year of Short Stories —Week #8

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 1
  • Submissions This Week – 2
  • Submissions Currently Out – 3
  • Rejections This Year – 4 (1 personal)

Let’s Get Personal

Two stories returned to me this week, both rejections. No problem; I’m developing that thick skin that’s needed for short story submissions. I get a story back, I send it out again, and I keep working on the next thing.

I was pleased to note that one of these rejections was “personal.” If you’re not familiar, there is a bit of a spectrum of rejections for short fiction. The typical rejection response says something to the effect of “Thank you for submitting, we read it and we decided to pass. Good luck elsewhere.” Short, polite, clearly uninterested. There’s really no useful information you can glean from a rejection like this. They might have hated it, or thought it was just okay. Because there are so many people submitting fiction, the vast majority of responses fall into this category, usually upwards of 90%.

However, many publications also have slightly more encouraging variations on rejection. These are usually along the lines of “We liked your story, but we have to reject it anyway.” That may mean that some editors/readers liked it and others didn’t, or that they liked it, but not as much as other stories. Unfortunately, the nature of the business is that a magazine will often have more good stories than they can publish.

A personal rejection is still not a sale, but it’s nice to have a magazine with pretty good pay rates (and thus, lots of submissions) telling me that they’d like to see more of my work.

Delving Into the Trunk

As I mentioned last week, I decided to open up my metaphorical trunk of old stories. It was fun to go back and look at how many stories I’ve written over the years. Not surprisingly, there are a number of these old short stories that are just not very good. They’ll be staying in the trunk. However, I was also surprised to discover several old stories that held up pretty well. In fact, I found three stories that I think are worth dusting off.

Admittedly, these stories need some work. I like to think that my skills are still steadily improving, and I immediately identified some opportunities to make these stories better. Two of them are too long and need better endings. Those will take a fair amount of effort. But the shortest one just needs some polishing.

That first old story is called “The Bluefinch and the Chipmunk,” and I’ve already done one editing pass. I’ll probably do one or two more in the upcoming week, put it in the Critters queue for critique, and start hacking one of the bigger stories down to a manageable size.

I’m happy that I dug up these old stories, because one of my current weaknesses is my ability to edit. This gives me an opportunity to work on that.

Developing a System

It’s still the first quarter of the year, and I feel like I’m just beginning to hit my stride in this project. So far, I am really enjoying it, far more than I thought I would. There is a joyous momentum to writing and submitting short stories that is just not present when writing a novel. A novel requires so much focus for so long that it’s sometimes hard to remember what life was like before you began the project, and hard to believe that it will someday end.

Writing short stories is a kind of willful amnesia. It’s a burst of intense focus to make a little thing as perfect as possible, and then it goes out into the world to meet its fate. Maybe it will succeed, maybe it will fail. In the meantime, I get to make something completely different.

Researching markets and submitting stories might sound like an unpleasant distraction to writers who want to focus completely on craft, but I’m finding the logistics of submissions interesting as well. Even with tools like Duotrope or Submission Grinder, it’s a surprising amount of work to find the “best” fit for a given story, especially when you’re optimizing for themes and pay rates. I haven’t even dealt with simultaneous submissions or publications that ask you to wait some amount of time before submitting something else. It’s a lot to track.

Right now, I’m still figuring out what’s important and what isn’t, and each submission feels like a new little adventure. Eventually, I expect to develop a rhythm, and I’ll find that I’m carrying out the same tasks for each submission. When I get to that comfort level, I’ll write a post describing that process, and hopefully it will save some new author a little bit of effort when they decide they want to start submitting their own short stories.

Goals for Next Week

  • Get a draft of “The Bluefinch and the Chipmunk” ready for critique.
  • Start editing another old story, tentatively titled “Red Eyes.”

Year of Short Stories —Week #3

2024 is my year of short stories. In this weekly series, I talk about the stories I’m working on, from idea and draft to submission.

  • Stories in Progress – 1
  • Submissions this Week – 1
  • Submissions Currently Out – 2

Submitting a Drabble

I reviewed quite a few options this week, and ended up submitting my drabble, “Tom, Dick, and Derek,” to a magazine taking flash fiction submissions. I’ve never sent out a drabble before, and I have no idea whether the incredibly short format will be a disadvantage or not.

As a general rule, it’s a little easier to sell short stories than long ones. In the old days, when everything was on paper, this was a simple matter of limited pages. Magazines cost money to print, and there’s a limit to the number of words that will fit. In a world where many publications are entirely online or have a web component, the limiting factor might be attention, rather than space.

However, I suspect the general rule breaks down when a story gets below about 500 words. While there are plenty of places to sell flash fiction, when the story gets short enough, the format becomes a distinguishing feature. There are a handful of publications that specialize in drabbles, but they’re few and far between.

Critique Revisions

My short story, “The Incident at Pleasant Hills,” is a more traditional short story at roughly 2000 words. I ran it through Critters a while ago, and got a lot of useful feedback. This week, I reacquainted myself with the story and began to re-read all that feedback, distilling it into broader issues and line edits. Hopefully I can finish those revisions this week.

Themed Submissions

While I was scanning publications in Duotrope this week, a few calls for themed submissions caught my eye. These are usually for one-off themed issues of magazines, but they can also pop up for anthologies or writing contests.

This is one of those things that I was aware of, but never really took seriously. Maybe it’s the difficulty of coming up with an interesting story for a specific prompt. Maybe it’s the concern that a story crafted to fit a theme will be harder to sell somewhere else if it’s rejected. However, if I’m going to be spending a year on short stories, it seems like a great time to get my feet wet.

I may spend some time brainstorming ideas for themed submissions this week, but if I don’t get around to it now, I’ll definitely try to dedicate some time later.

Goals for Next Week

  • Finish revising “Pleasant Hills”
  • Begin writing “Portrait of the Artist in Wartime”
  • Brainstorm ideas for themed submissions